Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
And already I'm choking up. I'm loving Maglor's importance as storyteller and, it seems, as someone his people rely on to provide a sense of identity:
"Explain things to us, Makalaure. Tell us what we did. Tell us who we are, now."
That would be heartbreaking in any sort of circumstance, but even more so considering what the Fëanorians just went through, and that Maglor seems (at least temporarily) at a loss to provide for them. Very bleak, but a very promising start.
I was wondering where you were going with the second chapter, but it makes a lot of sense now - what a wonderful (and painful) resolution to the fic, and still probably the closest approach to comfort this could be - and what a gorgeous last paragraph to end on. *slinks off to wipe eyes*
Wow, I really enjoyed this. (I am reading your SoWD stories, trying to choose one to work with for your prize--what a difficult decision it is proving to be, to choose between them! :) I like the idea that Maglor, the bard, is the one who makes sense of the clutter of history to the rest of them, who extracts meaning from otherwise senseless events. I have spent the past few hours working on a paper about the Ainulindale and Tolkien's concept of subcreation, so this is really tickling my muses right now ...
Thank you very much, Dawn! I'm excited to hear that this story of mine is tickling your muses!
We always rely on the stories we construct for ourselves, but the more desperate the situation, the more I think the Feanorians would come to rely on Maglor in this way.
I had been carrying most of this story in my head for quite a while, but as I was finishing it I also had some of your recent comments on the Heretic Loremaster site about characterization in mind.
I hope the paper on the Ainulindale is going well!
I've encountered stories in which Maglor is upset because Daeron is canonically better than he is and others (slash) in which Daeron and Maglor become lovers.
But I prefer to see it this way--simply musicians who have a subject in common they are passionately interested in, but are divided by history and politics.
Comments on Maglor Plays For His People After Doriath
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.