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Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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And already I'm choking up. I'm loving Maglor's importance as storyteller and, it seems, as someone his people rely on to provide a sense of identity:
"Explain things to us, Makalaure. Tell us what we did. Tell us who we are, now."
That would be heartbreaking in any sort of circumstance, but even more so considering what the Fëanorians just went through, and that Maglor seems (at least temporarily) at a loss to provide for them. Very bleak, but a very promising start.
I was wondering where you were going with the second chapter, but it makes a lot of sense now - what a wonderful (and painful) resolution to the fic, and still probably the closest approach to comfort this could be - and what a gorgeous last paragraph to end on. *slinks off to wipe eyes*
Wow, I really enjoyed this. (I am reading your SoWD stories, trying to choose one to work with for your prize--what a difficult decision it is proving to be, to choose between them! :) I like the idea that Maglor, the bard, is the one who makes sense of the clutter of history to the rest of them, who extracts meaning from otherwise senseless events. I have spent the past few hours working on a paper about the Ainulindale and Tolkien's concept of subcreation, so this is really tickling my muses right now ...
Thank you very much, Dawn! I'm excited to hear that this story of mine is tickling your muses!
We always rely on the stories we construct for ourselves, but the more desperate the situation, the more I think the Feanorians would come to rely on Maglor in this way.
I had been carrying most of this story in my head for quite a while, but as I was finishing it I also had some of your recent comments on the Heretic Loremaster site about characterization in mind.
I hope the paper on the Ainulindale is going well!
I've encountered stories in which Maglor is upset because Daeron is canonically better than he is and others (slash) in which Daeron and Maglor become lovers.
But I prefer to see it this way--simply musicians who have a subject in common they are passionately interested in, but are divided by history and politics.
Comments on Maglor Plays For His People After Doriath
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.