Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
My most heart-felt admiration for this loveliest of explanations of why Caranthir hated Finarfin's family.
More enjoyment to be had in the supporting cast of brothers and sisters: concerned elder brother Maitimo, flighty artist Maglor, the terrible pair of Tyelkormo and Curufinwe and the violence-inducing nutritionist twins (Lol lol lol) and of course, over-perceptive little Galadriel! Special mention to Amarie who finally is portrayed as somebody worthy of Finrod and their on-off relation. Marvelous story.
Copying my original review (probably different audience here):
OMG! You knocked my socks off, this is sweet and tragic and funny and overwhelming. An emotional deluge. Wow! I just love it. I will come back and re-read it.
By the way, the sex scenes are awesome! I loved the characterization throughout and I love this part:
"Findaráto was aggressive, demanding with sex in ways that he was not, could not be in ordinary life. Carnistir could let go, lose control without losing it all."
I teared up about the necklace--I am very stoic; do not cry easily at fanfic (or movies, books or TV shows!) and you had me teary and all but blubbering a few times with this one. You really touched some spot in me with this story--both of them were ripping my heart out. And Amarie! I do not think I have ever liked her so much. I wanted more. I did not want to leave the world you had created.
I really like the in-depth characterizations you have here. Even characters who make only small appearances (Makalaure or Artanis) still seem very fleshed out.
I especially like Amarie in this story. Carnistir, of course, is really well done, too....I like how you managed to keep his anger and abrasiveness but still make him seem sympathetic and reasonable.
I think the scene with Maitimo comforting Carnistir is my favorite; especially the small implication that Maitimo miiiight have picked the lock on his little brother's bedroom door, haha.
Comments on Be more cruel, Love, and so be kind.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.