New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Sibling Rivalry
Create an AU fanwork where an original character--you!--tries to influence his or her canon sibling in some way or in which you choose a sibling to influence you. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
Surely he knew of the lax customs surrounding love between the same sex; surely he knew the Telerin word that translated into Noldorin most accurately as friend-love, a word that many a naïve Noldorin scholar had asserted showed the precious weight given to friendships among the Teleri (usually with some speculative eloquence about their long estrangement and great love for the Noldor). But it was nothing of the sort. It was a literal love between friends—both romantic and sexual—embarked upon before a marriage and sometimes resumed after the years of children. It applied equally to both sexes, although mixed-sex friend-love was rare—though never unheard of, Eärwen told me once. Nothing was unheard of among the Teleri, at least as far as love was concerned.
This is so well done!! I envy you the invention.
Thoroughly absorbed in the story and hope to go back and comment more thoroughly later. But just pried myself lose for a moment to tell how much I like your handling of this.
Thank you! I'm glad you like it so far. ^_^
And you know I share my inventions! Use it if you like it!
You dare to send me? And what of you?
This is your place, you coward—
Such a strong ending of this chapter!
Really loved the lines that preceded it describing Arafinwe.
Are you truly guiltless, Arafinwë? Innocent, foolish Arafinwë?
They are your people—you were so proud of your accentless Telerin.
Your broadmindedness.
Your tolerance.
So proud that you fucked early in your Telerin marriage, broke the laws, subjected yourself to marital pleasures out of purported concern for your wife's happiness. What of her now? She is yours, not mine
Thanks! Part of this story, admittedly, is trying to fix the character assassination of Finarfin that partly drove "The Work of Small Hands," but I think it is an honest reaction on Anaire's part to feel anger toward him at this point. Or I hope it is! :)
It works for me if one wants to see Anaire as a living and breathing person and not some sort of saint!
As usual, I find the emotional responses and reactions of the characters throughout the story believable and convincing.
Of course, I was thinking of "The Work of Small Hands" throughout.
Thanks! That's always what I hope for (believing and convincing, that is). Characters who are always good and perfect are boring, imo!
This is the one time, to the best of my recollection, that I've essentially written the same story twice. It doesn't usually appeal to me, but the opportunity to fix the characterization of Finarfin in TWoSH was appreciated, and this was the logical next story in my Earwen/Anaire series anyway. And Elleth's art sealed the deal!
A very powerful use of that motif of drowning, which you use in unexpected ways!
It's a moving look at the impact of the Kinslaying on those left behind in Alqualonde, both emotional and economical.
(I tend not to think of the swanships as fisher boats so much, because of their apparent size, but that may be due to quite mistaken assumptions about how the Teleri fished.)
And it ends so hopefully, with that unveiling of the lamps!
I liked the female characters, including the glimpses of those I hadn't necessarily expected, as Irisse.
Such lovely artwork, Elleth!
So, here I am at the end of this breath taking story. You touched upon so much here that I could go on in detail, wondering if we had a limit on characters you can use in this field. Back in the day LJ had that restriction, I think you will fondly remember those comments. Of course you could say: review every chapter... but the option of clicking on 'next chapter' was so tempting because I did want to know what happened next. And before you know it, there is this last chapter. And so much happened in between. Mourning, deep loss, anger, acceptance, growth, love, finding each other again... How can you re-invent yourself again, how can you redefine yourself when you are stripped (and if I may add brutally) closed off your children. Who are you then at the very core, what is then left? The journey of both here, each their own way is so beautifully done. Leaving me to wonder that if Fingolfin is reborn again, how they will pick up the pieces. Actually, come to think of it... how will the role of women be in this society. I explored it myself as you know, how a young woman tries to rescue and salvage birds after the host left for Beleriand. I was almost inclined to say: wow Finarfin, forget about that Kingship, but Indis decided otherwise. I just hope that in your verse he won't allow for patriachal rule, so strict and stiffening as you have written it through Ainare's eyes. But then again, after WWII we also slipped back to that, women took that step back to the traditional roles after they kept the economy going. So many thinky thoughts here. :) I better return that soapbox to you. Haha.
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Comments on Cradle of Stars
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