New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Roaring Twenties
Use bingo prompts from 1920s-themed cards to create a fanwork. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Surely he knew of the lax customs surrounding love between the same sex; surely he knew the Telerin word that translated into Noldorin most accurately as friend-love, a word that many a naïve Noldorin scholar had asserted showed the precious weight given to friendships among the Teleri (usually with some speculative eloquence about their long estrangement and great love for the Noldor). But it was nothing of the sort. It was a literal love between friends—both romantic and sexual—embarked upon before a marriage and sometimes resumed after the years of children. It applied equally to both sexes, although mixed-sex friend-love was rare—though never unheard of, Eärwen told me once. Nothing was unheard of among the Teleri, at least as far as love was concerned.
This is so well done!! I envy you the invention.
Thoroughly absorbed in the story and hope to go back and comment more thoroughly later. But just pried myself lose for a moment to tell how much I like your handling of this.
Thank you! I'm glad you like it so far. ^_^
And you know I share my inventions! Use it if you like it!
You dare to send me? And what of you?
This is your place, you coward—
Such a strong ending of this chapter!
Really loved the lines that preceded it describing Arafinwe.
Are you truly guiltless, Arafinwë? Innocent, foolish Arafinwë?
They are your people—you were so proud of your accentless Telerin.
Your broadmindedness.
Your tolerance.
So proud that you fucked early in your Telerin marriage, broke the laws, subjected yourself to marital pleasures out of purported concern for your wife's happiness. What of her now? She is yours, not mine
Thanks! Part of this story, admittedly, is trying to fix the character assassination of Finarfin that partly drove "The Work of Small Hands," but I think it is an honest reaction on Anaire's part to feel anger toward him at this point. Or I hope it is! :)
It works for me if one wants to see Anaire as a living and breathing person and not some sort of saint!
As usual, I find the emotional responses and reactions of the characters throughout the story believable and convincing.
Of course, I was thinking of "The Work of Small Hands" throughout.
Thanks! That's always what I hope for (believing and convincing, that is). Characters who are always good and perfect are boring, imo!
This is the one time, to the best of my recollection, that I've essentially written the same story twice. It doesn't usually appeal to me, but the opportunity to fix the characterization of Finarfin in TWoSH was appreciated, and this was the logical next story in my Earwen/Anaire series anyway. And Elleth's art sealed the deal!
A very powerful use of that motif of drowning, which you use in unexpected ways!
It's a moving look at the impact of the Kinslaying on those left behind in Alqualonde, both emotional and economical.
(I tend not to think of the swanships as fisher boats so much, because of their apparent size, but that may be due to quite mistaken assumptions about how the Teleri fished.)
And it ends so hopefully, with that unveiling of the lamps!
I liked the female characters, including the glimpses of those I hadn't necessarily expected, as Irisse.
Such lovely artwork, Elleth!
So, here I am at the end of this breath taking story. You touched upon so much here that I could go on in detail, wondering if we had a limit on characters you can use in this field. Back in the day LJ had that restriction, I think you will fondly remember those comments. Of course you could say: review every chapter... but the option of clicking on 'next chapter' was so tempting because I did want to know what happened next. And before you know it, there is this last chapter. And so much happened in between. Mourning, deep loss, anger, acceptance, growth, love, finding each other again... How can you re-invent yourself again, how can you redefine yourself when you are stripped (and if I may add brutally) closed off your children. Who are you then at the very core, what is then left? The journey of both here, each their own way is so beautifully done. Leaving me to wonder that if Fingolfin is reborn again, how they will pick up the pieces. Actually, come to think of it... how will the role of women be in this society. I explored it myself as you know, how a young woman tries to rescue and salvage birds after the host left for Beleriand. I was almost inclined to say: wow Finarfin, forget about that Kingship, but Indis decided otherwise. I just hope that in your verse he won't allow for patriachal rule, so strict and stiffening as you have written it through Ainare's eyes. But then again, after WWII we also slipped back to that, women took that step back to the traditional roles after they kept the economy going. So many thinky thoughts here. :) I better return that soapbox to you. Haha.
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Comments on Cradle of Stars
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