New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
"The Fëanorian Zine" Available to Read and Download
We are pleased to be able to offer "The Fëanorian Zine" to read and download on the SWG for free.
Call for Artists for the 2026 Challenge Stamps
We are soliciting help from artists who want to help create the stamps we award to challenge participants.
[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Revolution
Create a fanwork using a quotation, artwork, speech, or song concerned with protest and revolution as your inspiration. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
Surely he knew of the lax customs surrounding love between the same sex; surely he knew the Telerin word that translated into Noldorin most accurately as friend-love, a word that many a naïve Noldorin scholar had asserted showed the precious weight given to friendships among the Teleri (usually with some speculative eloquence about their long estrangement and great love for the Noldor). But it was nothing of the sort. It was a literal love between friends—both romantic and sexual—embarked upon before a marriage and sometimes resumed after the years of children. It applied equally to both sexes, although mixed-sex friend-love was rare—though never unheard of, Eärwen told me once. Nothing was unheard of among the Teleri, at least as far as love was concerned.
This is so well done!! I envy you the invention.
Thoroughly absorbed in the story and hope to go back and comment more thoroughly later. But just pried myself lose for a moment to tell how much I like your handling of this.
Thank you! I'm glad you like it so far. ^_^
And you know I share my inventions! Use it if you like it!
You dare to send me? And what of you?
This is your place, you coward—
Such a strong ending of this chapter!
Really loved the lines that preceded it describing Arafinwe.
Are you truly guiltless, Arafinwë? Innocent, foolish Arafinwë?
They are your people—you were so proud of your accentless Telerin.
Your broadmindedness.
Your tolerance.
So proud that you fucked early in your Telerin marriage, broke the laws, subjected yourself to marital pleasures out of purported concern for your wife's happiness. What of her now? She is yours, not mine
Thanks! Part of this story, admittedly, is trying to fix the character assassination of Finarfin that partly drove "The Work of Small Hands," but I think it is an honest reaction on Anaire's part to feel anger toward him at this point. Or I hope it is! :)
It works for me if one wants to see Anaire as a living and breathing person and not some sort of saint!
As usual, I find the emotional responses and reactions of the characters throughout the story believable and convincing.
Of course, I was thinking of "The Work of Small Hands" throughout.
Thanks! That's always what I hope for (believing and convincing, that is). Characters who are always good and perfect are boring, imo!
This is the one time, to the best of my recollection, that I've essentially written the same story twice. It doesn't usually appeal to me, but the opportunity to fix the characterization of Finarfin in TWoSH was appreciated, and this was the logical next story in my Earwen/Anaire series anyway. And Elleth's art sealed the deal!
A very powerful use of that motif of drowning, which you use in unexpected ways!
It's a moving look at the impact of the Kinslaying on those left behind in Alqualonde, both emotional and economical.
(I tend not to think of the swanships as fisher boats so much, because of their apparent size, but that may be due to quite mistaken assumptions about how the Teleri fished.)
And it ends so hopefully, with that unveiling of the lamps!
I liked the female characters, including the glimpses of those I hadn't necessarily expected, as Irisse.
Such lovely artwork, Elleth!
So, here I am at the end of this breath taking story. You touched upon so much here that I could go on in detail, wondering if we had a limit on characters you can use in this field. Back in the day LJ had that restriction, I think you will fondly remember those comments. Of course you could say: review every chapter... but the option of clicking on 'next chapter' was so tempting because I did want to know what happened next. And before you know it, there is this last chapter. And so much happened in between. Mourning, deep loss, anger, acceptance, growth, love, finding each other again... How can you re-invent yourself again, how can you redefine yourself when you are stripped (and if I may add brutally) closed off your children. Who are you then at the very core, what is then left? The journey of both here, each their own way is so beautifully done. Leaving me to wonder that if Fingolfin is reborn again, how they will pick up the pieces. Actually, come to think of it... how will the role of women be in this society. I explored it myself as you know, how a young woman tries to rescue and salvage birds after the host left for Beleriand. I was almost inclined to say: wow Finarfin, forget about that Kingship, but Indis decided otherwise. I just hope that in your verse he won't allow for patriachal rule, so strict and stiffening as you have written it through Ainare's eyes. But then again, after WWII we also slipped back to that, women took that step back to the traditional roles after they kept the economy going. So many thinky thoughts here. :) I better return that soapbox to you. Haha.
Site © Dawn Felagund
Logo © Bunn
All copyrights for creative work hosted on this site are retained by their creators.
This site is built using Drupal and the theme W3CSS.
Characters and stories associated with J.R.R. Tolkien's works remain the property of his estate. Creative work using this material has been written solely for the enjoyment and enlightenment of its creator and their associates. No profit is made on the materials shared on this site.
Comments on Cradle of Stars
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.