Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Funky 70s
Choose a prompt from books, movies, quotes, headlines, style, and more from the 1970s. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
Surely he knew of the lax customs surrounding love between the same sex; surely he knew the Telerin word that translated into Noldorin most accurately as friend-love, a word that many a naïve Noldorin scholar had asserted showed the precious weight given to friendships among the Teleri (usually with some speculative eloquence about their long estrangement and great love for the Noldor). But it was nothing of the sort. It was a literal love between friends—both romantic and sexual—embarked upon before a marriage and sometimes resumed after the years of children. It applied equally to both sexes, although mixed-sex friend-love was rare—though never unheard of, Eärwen told me once. Nothing was unheard of among the Teleri, at least as far as love was concerned.
This is so well done!! I envy you the invention.
Thoroughly absorbed in the story and hope to go back and comment more thoroughly later. But just pried myself lose for a moment to tell how much I like your handling of this.
Thank you! I'm glad you like it so far. ^_^
And you know I share my inventions! Use it if you like it!
You dare to send me? And what of you?
This is your place, you coward—
Such a strong ending of this chapter!
Really loved the lines that preceded it describing Arafinwe.
Are you truly guiltless, Arafinwë? Innocent, foolish Arafinwë?
They are your people—you were so proud of your accentless Telerin.
Your broadmindedness.
Your tolerance.
So proud that you fucked early in your Telerin marriage, broke the laws, subjected yourself to marital pleasures out of purported concern for your wife's happiness. What of her now? She is yours, not mine
Thanks! Part of this story, admittedly, is trying to fix the character assassination of Finarfin that partly drove "The Work of Small Hands," but I think it is an honest reaction on Anaire's part to feel anger toward him at this point. Or I hope it is! :)
It works for me if one wants to see Anaire as a living and breathing person and not some sort of saint!
As usual, I find the emotional responses and reactions of the characters throughout the story believable and convincing.
Of course, I was thinking of "The Work of Small Hands" throughout.
Thanks! That's always what I hope for (believing and convincing, that is). Characters who are always good and perfect are boring, imo!
This is the one time, to the best of my recollection, that I've essentially written the same story twice. It doesn't usually appeal to me, but the opportunity to fix the characterization of Finarfin in TWoSH was appreciated, and this was the logical next story in my Earwen/Anaire series anyway. And Elleth's art sealed the deal!
A very powerful use of that motif of drowning, which you use in unexpected ways!
It's a moving look at the impact of the Kinslaying on those left behind in Alqualonde, both emotional and economical.
(I tend not to think of the swanships as fisher boats so much, because of their apparent size, but that may be due to quite mistaken assumptions about how the Teleri fished.)
And it ends so hopefully, with that unveiling of the lamps!
I liked the female characters, including the glimpses of those I hadn't necessarily expected, as Irisse.
Such lovely artwork, Elleth!
So, here I am at the end of this breath taking story. You touched upon so much here that I could go on in detail, wondering if we had a limit on characters you can use in this field. Back in the day LJ had that restriction, I think you will fondly remember those comments. Of course you could say: review every chapter... but the option of clicking on 'next chapter' was so tempting because I did want to know what happened next. And before you know it, there is this last chapter. And so much happened in between. Mourning, deep loss, anger, acceptance, growth, love, finding each other again... How can you re-invent yourself again, how can you redefine yourself when you are stripped (and if I may add brutally) closed off your children. Who are you then at the very core, what is then left? The journey of both here, each their own way is so beautifully done. Leaving me to wonder that if Fingolfin is reborn again, how they will pick up the pieces. Actually, come to think of it... how will the role of women be in this society. I explored it myself as you know, how a young woman tries to rescue and salvage birds after the host left for Beleriand. I was almost inclined to say: wow Finarfin, forget about that Kingship, but Indis decided otherwise. I just hope that in your verse he won't allow for patriachal rule, so strict and stiffening as you have written it through Ainare's eyes. But then again, after WWII we also slipped back to that, women took that step back to the traditional roles after they kept the economy going. So many thinky thoughts here. :) I better return that soapbox to you. Haha.
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Comments on Cradle of Stars
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.