Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Another delightful story with your Maglor! Your characterization of Makalaurë is, in my opinion, simply perfect; it manages to show him as an artist but also as a powerful, prideful and determined individual. The way you manage to depict the almost unnatural quality of his voice and its effects with simple elegance, without the reader finding it forced shows a good technical ability. As for the style it is simple but vivid and the characters' actions and behaviour feel realistic.
The dry wit of Maglor is awesome and, probably, the best way to deal with a sullen young kid struggling with what he wants to be and the adult Ehtelion seems to have 'caught' more than how to play from him, as the last phrase shows.
Thank you so much for your kind review, Valentis. I always grow a bit hesitant/scared when I describe Maglor's voice (usually, I try to avoid it altogether, because a 'voice...like the sea' is awfully difficult to describe without getting cheesy), so I'm glad you liked it here. I'm flattered that you enjoy my little Maglor stories. :)
A little random, but I like it. Ecthelion is characterized well, especially with his embarrassment and stubbornness. And it's a great idea to have Maglor be the one to teach him. Maglor's description is kind of scary, though. I also like the part on magic.
I'm a little confused as to the second part. Where is it taking place? I should have thought Gondolin if it weren't for the F.A. - which is Fourth Age, or so I thought.
Overall, this is well written and entertaining, despite my confusion. Great story!
Thank you for the review. :) Yes, it was a rather spur-of-the-moment fic. The second part takes place in Gondolin. I suppose both Fourth Age and First Age can be F.A.! Also, welcome to SWG. :)
Comments on The Musician
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.