Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Gates of Summer
Create a fanwork based on prompts about summer taken from Tolkien's life, canon events, and quotes from his letters and stories. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Another delightful story with your Maglor! Your characterization of Makalaurë is, in my opinion, simply perfect; it manages to show him as an artist but also as a powerful, prideful and determined individual. The way you manage to depict the almost unnatural quality of his voice and its effects with simple elegance, without the reader finding it forced shows a good technical ability. As for the style it is simple but vivid and the characters' actions and behaviour feel realistic.
The dry wit of Maglor is awesome and, probably, the best way to deal with a sullen young kid struggling with what he wants to be and the adult Ehtelion seems to have 'caught' more than how to play from him, as the last phrase shows.
Thank you so much for your kind review, Valentis. I always grow a bit hesitant/scared when I describe Maglor's voice (usually, I try to avoid it altogether, because a 'voice...like the sea' is awfully difficult to describe without getting cheesy), so I'm glad you liked it here. I'm flattered that you enjoy my little Maglor stories. :)
A little random, but I like it. Ecthelion is characterized well, especially with his embarrassment and stubbornness. And it's a great idea to have Maglor be the one to teach him. Maglor's description is kind of scary, though. I also like the part on magic.
I'm a little confused as to the second part. Where is it taking place? I should have thought Gondolin if it weren't for the F.A. - which is Fourth Age, or so I thought.
Overall, this is well written and entertaining, despite my confusion. Great story!
Thank you for the review. :) Yes, it was a rather spur-of-the-moment fic. The second part takes place in Gondolin. I suppose both Fourth Age and First Age can be F.A.! Also, welcome to SWG. :)
Comments on The Musician
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.