Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Two excellent chapters, g_g! Very fine writing that pulled me right into the story and leaves me eager for more. Tókhesh and Uldor's voices are distinctive and strong, and there's plenty of good world-building there in just two chapters. Not surprisingly, I am *all* over the potential identification of the malady and its treatment. I really enjoyed your depictions of the borderlands of real-world/Other interactions - the arrival of the spirit-servant of the Lord of the North (love the title!) and her offer
That the Lord of the North offers to aid a desperate people gives so much authenticity to Lúpentho's (?) decision to give Melkor what he wants, that he makes this decision for the good of his tribe. In this way, one can understand and feel sympathy for Uldor, Tókesh, and their clan. You shatter the dichotomy that is often depicted in Tolkienian fan fiction between Good™ and Evil™, and aptly show that these these moral quandries fall on a spectrum of greys.
Thank you so much! This is such a nice review, and I'm really glad you're enjoying the story. :D Lúpentho is indeed Ulfang; I was a little worried about all my Lu- names getting confusing, but I figure if we can keep all Tolkien's Fin- characters straight, the Lu-s shouldn't be so bad. They'l switch to Ul-s once Caranthir comes in anyway.
Just imagine Morgoth and Sauron hidden deep in their secret laboratories, creating malicious protazoa. ;)
Ah, so Tokhesh is going to act as interpreter? That should certainly give her a good view of what is going on, even if she isn't involved in the decision-making!
I suppose Morgoth came up with the malaria in the first place, not just with the cure?
I wonder what they will make of the Noldor when they actually meet them.
This is definitely one of my favourites that I've read here. I love that you bring so much depth and life to a culture that's little more than a handful of words in Tolkien's work. Especially fond of how you delve into the linguistics and how the Elves always use their own names for everything (very Greek and Romanesque of them, really...)
Anyway, great to see a new chapter! Even though I'm late. ;-)
Comments on Loyalty: A Tale in Three Voices
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.