Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh my! Well, they should have known what they were getting themselves into when Nerdanel announced that she insisted on being allowed to follow her artistic vision! But then, your Ingwe doesn't seem to be the sort of person who actually realises that other people's vision might differ from his. I love that you made Osse so sympathetic and reconciliatory. And Finarfin is willing to think and listen, at least. (I also can't help but notice that the Valar do not appear to take offense!)
Meanwhile, the sculpture you describe is utterly compelling! Again, I found it surprising (and fascinating!) that you made Námo one of the Valar who have their eyes open, since he tends to be depicted as a complete killjoy who ignores those Noldor who are alive and looks down on those who come to his halls. So the idea of him weeping over a dead elf is intriguing! And Varda with her sickle, and the (blindfolded!) dancing ladies... I wish I could see the sculpture in real life!
Thank you so much. I have always had a great deal of sympathy for Lord Namo - it's a rather thankless job that he holds. I think he cares for each soul who comes to him with love and respect. I also would love to see this sculpture in real life, it would be intruiging, to say the least - LOL.
I very much apprediate your reading and your comments. *hugs*
Really liked this piece. Especially the description of Namo. I can see that image of him, burdened with the countless deaths that occurred after the Separation and how, in a way, each one was another layer of guilt, another failure, another soul requiring a healing touch--perhaps never to recover and be re-embodied. And he was in charge of them all. He had watched them set out, warned them of the Doom and in the end he was the one they came back to, he was the one that had to see/experience their pain, he was the one who had to heal them--absorbing in a way all that came before. Quite a heavy duty.
The blinfolds and choices for that were also fascinating, as were the ones with unbound eyes.
Thanks so much for your words and review. I admit I have a soft spot in my heart for Namo. He seems to get the blame so often but his job is a very tough one, as you summarized. It was fun to allow my little sculptor to run freely through the Valar.
Thank you! I quite firmly support the idea of artistic independence and integrity. Often artwork can give insights into behavior that are hidden in other venues. Your review is deeply appreciated. Thanks!!!
Oh, this is wonderful! I love how you depicted who Nerdanel chose to leave with eyes unbound and why- it has such poetic description and feels true to the Valar as well. As my name gives away, I love Nienna. I think in one simple line you so perfectly described her. "While her brother weeps for the dead, she weeps for the living." Likewise, the depictions of Ulmo, Námo, and all the others was spot on. And your Nerdanel is wonderful too. Such determination to share her vision.
It is such an interesting way to put it, the Valar with their eyes bound. And I know I've said this before, but everything about your descriptions seems so true to each Vala.(And likewise for Nerdanel.) Really all your characters seem true to themselves, in a way I cannot quite explain, considering how little we see of some of them in canon. But it all just feels right.
I loved this fic so much! As a fellow artist I perfectly know Nerdanel feeling of a) not wanting to be disturbed by other people while she is working and b) the imperative importance of finishing your art remaining true to it and not bending it to the will of other people.
I wasn't expecting this rapresentation of the Valar but I have loved it! And I love how Nerdanel has stood her ground with Ingwe and all the other man... she is great! the best! We all have to learn from Nerdanel!
Again, great fic! I enjoied it a lot! Good work!! <3<3<3<3<3
Comments on An Education in Stone
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.