Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh my! Well, they should have known what they were getting themselves into when Nerdanel announced that she insisted on being allowed to follow her artistic vision! But then, your Ingwe doesn't seem to be the sort of person who actually realises that other people's vision might differ from his. I love that you made Osse so sympathetic and reconciliatory. And Finarfin is willing to think and listen, at least. (I also can't help but notice that the Valar do not appear to take offense!)
Meanwhile, the sculpture you describe is utterly compelling! Again, I found it surprising (and fascinating!) that you made Námo one of the Valar who have their eyes open, since he tends to be depicted as a complete killjoy who ignores those Noldor who are alive and looks down on those who come to his halls. So the idea of him weeping over a dead elf is intriguing! And Varda with her sickle, and the (blindfolded!) dancing ladies... I wish I could see the sculpture in real life!
Thank you so much. I have always had a great deal of sympathy for Lord Namo - it's a rather thankless job that he holds. I think he cares for each soul who comes to him with love and respect. I also would love to see this sculpture in real life, it would be intruiging, to say the least - LOL.
I very much apprediate your reading and your comments. *hugs*
Really liked this piece. Especially the description of Namo. I can see that image of him, burdened with the countless deaths that occurred after the Separation and how, in a way, each one was another layer of guilt, another failure, another soul requiring a healing touch--perhaps never to recover and be re-embodied. And he was in charge of them all. He had watched them set out, warned them of the Doom and in the end he was the one they came back to, he was the one that had to see/experience their pain, he was the one who had to heal them--absorbing in a way all that came before. Quite a heavy duty.
The blinfolds and choices for that were also fascinating, as were the ones with unbound eyes.
Thanks so much for your words and review. I admit I have a soft spot in my heart for Namo. He seems to get the blame so often but his job is a very tough one, as you summarized. It was fun to allow my little sculptor to run freely through the Valar.
Thank you! I quite firmly support the idea of artistic independence and integrity. Often artwork can give insights into behavior that are hidden in other venues. Your review is deeply appreciated. Thanks!!!
Oh, this is wonderful! I love how you depicted who Nerdanel chose to leave with eyes unbound and why- it has such poetic description and feels true to the Valar as well. As my name gives away, I love Nienna. I think in one simple line you so perfectly described her. "While her brother weeps for the dead, she weeps for the living." Likewise, the depictions of Ulmo, Námo, and all the others was spot on. And your Nerdanel is wonderful too. Such determination to share her vision.
It is such an interesting way to put it, the Valar with their eyes bound. And I know I've said this before, but everything about your descriptions seems so true to each Vala.(And likewise for Nerdanel.) Really all your characters seem true to themselves, in a way I cannot quite explain, considering how little we see of some of them in canon. But it all just feels right.
I loved this fic so much! As a fellow artist I perfectly know Nerdanel feeling of a) not wanting to be disturbed by other people while she is working and b) the imperative importance of finishing your art remaining true to it and not bending it to the will of other people.
I wasn't expecting this rapresentation of the Valar but I have loved it! And I love how Nerdanel has stood her ground with Ingwe and all the other man... she is great! the best! We all have to learn from Nerdanel!
Again, great fic! I enjoied it a lot! Good work!! <3<3<3<3<3
Comments on An Education in Stone
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.