Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
gorgeous vignette, really easy to see them by the fire with the dog and the wine, the calm before the storm...
but why doesn't Maglor think Elrond would be any good ? i don’t remember anything bad about Elrond, apart from being a bit Noldor, but then he's a total mongrel...
yes, i bet Maglor would have kept an eye on things, especially after Eregion... aargh...
It's not that Maglor thinks Elrond wouldn't be any good; rather, he firmly belives that the murder of his grandfather cursed the kingship itself and he hoped that Elrond could remain free of any lingering problems connected to it. Thank you for reading and reviewing.
It's not that Maglor thinks Elrond wouldn't be any good; rather, he firmly belives that the murder of his grandfather cursed the kingship itself and he hoped that Elrond could remain free of any lingering problems connected to it.
Some meetings are a lot more interesting than others. Maglor is in a very good position to gather intelligence as well as sketch maps since many people consider him to be 'mad' (as in 'crazy') in addition to being known as a bard. Despite everything that's happened, he still has a good deal of power and superstition working for him.
I'm very glad you like Gil-galad's dog. Roch is a favorite of mine.
Beautiful language and elegantly constructed. I really enjoyed reading it. I love the layers of history and characterization that you have woven into this short piece--perfect way to use a short-form format to write a much bigger story!
Adore the title by the way--the old folk song "Johnny Has Gone for a Soldier" is now an earwing for me today! Thanks, I guess!!--fortunately I love the song.
I like little moments in time. Of course Gil-galad would have a dog, he is a dog person in my world. And I'd be interested in Maglor's doubts about Elrond, though I imagine it has a lot to do with knowing how hard it would be to herd all the cats after the final battle. More affection than criticism there.
It's not that Maglor has any doubts about Elrond as a leader or in his abilities; he just firmly believes (and with good reason) that the murder of his grandfather cursed the kingship itself. Maglor was hoping that Elrond could remain free of any lingering problems that might remain connected to it. And, as you say, the whole herding cats issue after the final battle... Thank you so much for reading and reviewing.
Comments on Gone For Soldiers
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.