Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh, this is an amazing story. It is filled with great things. I love the way it introduces the family drama, the woman question(!), and the use of the artifact and music. You really set the backdrop for how Ancalime grows up to become the person she does.
I love how she talks to the doll. It is realistic and believable.
Thanks so much for giving the link to the mouth music. Lovely!
Aww, I'm glad Ancalime got to keep the doll, even if she's perhaps too uncritical. It must have been a lonely life. I do hope she'll get her female pipers and also her mouth music band, not just stifling court protocol!
I think it may have been one of the virtues of Nuneth the doll that she was disposed to be uncritical! Ancalime could always supply the criticism herself.
It does sound to me as if Ancalime not only was kept away from male company but everyone surrounding her at Emerie was likely to be older (although this would have been not so intentional).
I think she made sure she had at least some female musicians, later on, if not perhaps precisely those two bands!
You made Ancalime very relatable in these pieces, and I really enjoyed that. Her thoughts concerning Hallacar's deceit feel so raw and true! And I was relieved that you gave her and Anárion a normal-ish relationship - not without strain, and unquestionably coloured by the quarrels between his parents, but not neglectful or downright cruel. What a family! That Finwean blood! ;)
Thank you! I'm glad you found Ancalime relatable here!
I think that, if she were being compared to someone like Almarian, she would seem a neglectful mother to her critics. But that wouldn't mean she was actually not involved or concerned with her son.
Oh I love how you wove the music through all three parts. The headdress you chose for part 3 is beautiful! The doll was almost sorrowful, to be an only companion in a ways.
I had to go refresh myself on the characters and their story, and you did a wonderful job incorporating into it!
Yes, there is an element of sadness to the doll, here. Ancalime, without doubt, had a difficult childhood, caught in the conflict between her mother and father, even if she didn't want for anything physically. But she is also resilient and I wanted to associate the doll with her independent thinking and strength of character, too.
Comments on In the Hills of Emerie
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.