Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Potluck Bingo
Help yourself to a collection of prompts on bingo boards designed by members and friends of the SWG. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I found the imagery striking and very powerful -- the contrast between the flamboyance and flimsy of the costumes as seen from close-up, and their beauty when seen from the audience seats, sets up a nice parallel to the contrast between theatre as seen through the eyes of purely "practical" politicians and the magic of the stage to enthrall and empower. I loved - as bad as that sounds - the political machinations in the background. I loved how the dancers found their courage as soon as they decided to perform anyway - the show must go on - and I love the implications of this (and perhaps every other) performance of Tar-Vanimelde: frivolous and theatrical on the surface, but deeply political underneath.
Poor Vanimelde, and poor Alcarin! But I feel that they both took strength from this performance.
"The show must go on" is definitely a theme here! It makes them stronger, as a group.
I am glad that suggested contrast worked for you.
I had written a short piece before about Tar-Vanimelde and the implications of her dancing ("Vanimelde Dances" in my Numenor anthology). Yes, there was always a political side to it, although in times before these, it was more of a cultural policy rather than political intrigue.
A lot is packed into this gem of a story. I really appreciated how Alcarin’s perception of the situation changes so dramatically (so to speak) as the story progresses. It begins with him feeling embarrassed that his elderly mother with her bent, arthritic hands is planning a dance performance when clearly she’s past her prime. He notices the costumes, meant to look impressive from a distance, but close up, appear tawdry. He wants to beg his mother not to do this. Then her husband, Herucalmo, sends guards to turn away the audience and Vanimelde reveals the real reason she insisted on this performance. She wants to make a plea to her people to put Alcarin in power once she’s gone. Suddenly, Alcarin sees her completely differently. She wasn’t doing this to relive some past glory but rather to try to counter her husband’s machinations. His mother who didn’t care for politics is doing something political, and daring, in an act of love for him. Now that they’ve been discovered, there is fear for the other performers, but they rally and decide to do the performance anyway, without the speech, as if that’s what they meant to do all along. And in a moment of moral clarity, Alcarin decides to sit in the audience to support them all. The performance takes on tremendous meaning for him that he remembers the rest of his life. It seems he matures that night as he comes to a larger understanding about his mother, and himself, and what it means to stand up for each other.
Goodness, are there Herucalmo fans? Certainly not after reading this. lol.
Thank you very much for your wonderful comment! And sorry I've been so slow to reply. There's more I'd like to say, but I thought I shouldn't delay at least thanking you any longer!
Thank you so much for your comments here and during the discussion yesterday!
I realized afterwards I had not answered your question about the relationship between Alcarin and Herucalmo.
I had to think about this a bit to put my thoughts about this into words:
Alcarin (that is, the Alcarin of Himring 'verse) always loved his mother, but was conscious of being in some ways more like his father. Herucalmo was more hands-off, as a parent, but at the same time quite persuasive as a parental authority. At the time before this story starts, Alcarin is really feeling let down by both his parents in different ways, but does not want to admit it. During this story, he realizes that he is less like Herucalmo than he thought and also that values he shares with his mother are a more meaningful bond than any shared character traits with his father. (Hope that makes sense!)
Vanimelde is such a fascinating character, an artist's soul trapped in the body of a ruler. You have captured that tension so well, her love for the performance and the nervousness of the political setting. Likewise, with her aging body (the hands!), fantastic character building.
Alcarin watching the performance alone is such a powerful image in my mind. No doubt, his mother's legacy will live through him.
Thanks for sharing! (I won't be able to join the book club sesh as it takes place during my crack of dawn, but I highly enjoyed this, thank you)
Comments on Send in the Clowns: A story of Numenorean theatre
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.