Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
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I really enjoyed this -an unusual episode but crucial to Elrond's story of course. I really like the perspective- and the glimpes we get of key characters, like Maedhros and Maglor. The idea of Amras dying ainfully was really effective and eventually Maglor giving him something- that felt very real and credible. Great story telling.
I was really interested by your take on this: all thesedetails of the withdrawal from Sirion that form the background of what happens to Elrond and Elros and their impact on Maglor's decisions and what to do with the children.
My browser crashed and I lost a ridiculously long and detailed comment! Argh!
I am loving the pace and details of this story. It is wonderfully imagined and grippingly narrated I love observing Maglor (and everyone else!) through Elrond's eyes. I love what a leader and administrator Maglor is and yet find the time to dedicate himself to doing what he believes is right and just for the boys.
I love the education! The idea of using his song-method. Wow! To be a little bird or a mouse and watch listen to that. This would make a wonderful film
Maglor had them sing the tengwar song, the number song, the Valar song, the song of the Music, and more they didn’t already know. There were songs for history and mathematics and the patterns of nature. When Maglor decided they knew them well enough, he brought out slates and chalk and had them practice their letters and numbers. The lesson-songs stuck in Elrond’s head as the repeated figures and made words on his slate. He could bring the music out into the lines and curves of his name as if making a visual representation of the tunes themselves. Elros did his numbers faster, and when he was done, he drew grotesque monsters slithering out of the edges of the slate to eat them.
The changes of the seasons and the passage of time are wonderfully handled and, for the boys, the single constant thing is Maglor's determination and his care and his attention to their education. Would have been so easy to let it slide!
“I will not send you back to your people ignorant and illiterate,” he said, and watched over them as they grudgingly put their chalk to their slates.
The descriptions of Maedhros are terrible to read, but convincingly written. When he is moved to speak or interact, he makes as much sense as anyone else does in that terrible time. How painful and difficult those days are, yet Maglor is like a beacon of hope. Caring for the boys and worrying about Maedhros somehow keeps him going. It's all so believable and real.
I hope you do continue with this. I will be watching for it!
This second chapter is every bit as beautifully written, as precise and detailed as the first.
'Everything seemed shabby and sad and slowly losing what little dignity it had left. The great house in the center of the compound was no different, for all it was older and bigger and built entirely in stone. A corner of it was crumbling and the roof was mostly moss. No banners flew from the two small towers on either side of the double doors, which did not match. Some of the windows were boarded up. It looked like a tired, bruised face.'
Perfect description for the poor, degraded House of Feanor, a tired, bruised face beaten by that dreadful Oath and Elwing's refusal to give up the Silmaril (I have no symapthy for her I'm afraid!)
In the end they found four shirts, two tunics, three pairs of trousers, one winter coat, exactly three socks, and a left sandal in good condition.
Another beautiful image that just perfectly tells you this is neglected, dispirited. I love the three socks and one sandal- it is really very domestic as well as neglected.
And the gradual disintegration of thier power base is just perfectly told- the slow move away, abandonment. (I assume the reason for the abandonment of Balar is because the army has arrivved from Valinor? My Silm knowledge isn't good enough to work out anything else but I love that sense of mystery - how they are in the dark from the rest of the elves.)
Each left their sword at the front door of the great house.
What a poignant message.
And then again, this lovely scene of domesticity- I think this is the best fic I have read about this part of the SIlm. I love the way you write the brothers- all four, and the gradual tenderness. I htink too, it is convincing that they have Maedhros on suicide watch so his final end is actually an escape from Maglor rather than a surpise.
became part of their winter routine. Maglor had them sing the tengwar song, the number song, the Valar song, the song of the Music, and more they didn’t already know. There were songs for history and mathematics and the patterns of nature. When Maglor decided they knew them well enough, he brought out slates and chalk and had them practice their letters and numbers. The lesson-songs stuck in Elrond’s head as the repeated figures and made words on his slate. He could bring the music out into the lines and curves of his name as if making a visual representation of the tunes themselves. Elros did his numbers faster, and when he was done, he drew grotesque monsters slithering out of the edges of the slate to eat them
I so enjoyed that idea of Elros and his monsters! Such beautiful writing.
I have sympathy for Elwing as well as the Feanorians, and that conflict will come out more in future chapters. I see it as just a bad situation where no one did the best or smartest thing possible, so none of them were necessarily "right."
Thank you! Yes, the War of Wrath has started, but they're too isolated to know anything about what's going on, and the scale of the war is too big to know where they are.
I really like the description of Maglor as a teacher and Elrond as a student:
It became part of their winter routine. Maglor had them sing the tengwar song, the number song, the Valar song, the song of the Music, and more they didn’t already know. There were songs for history and mathematics and the patterns of nature. When Maglor decided they knew them well enough, he brought out slates and chalk and had them practice their letters and numbers. The lesson-songs stuck in Elrond’s head as the repeated figures and made words on his slate. He could bring the music out into the lines and curves of his name as if making a visual representation of the tunes themselves. Elros did his numbers faster, and when he was done, he drew grotesque monsters slithering out of the edges of the slate to eat them.
I love the earthquake and the rescue and how you use it to move the relationship forward between Maglor and the boys.
Maglor, holding Elros close in one arm, scooped Elrond up in the other—Elrond clung to his dusty tunic and buried his face in his hair and both boys cried for a long time, unashamed and unaware of everything else around them.
“I am so glad you two are safe,” Maglor said.
“Right, it would be hard to tell the king that they got squashed in your care!” someone joked nearby.
“That is not the only reason.” He squeezed Elrond and Elros close. “Far from it.”
Also really love the instruction from Maedhros in swordfighting. Thankful to finally seeing him do something other than rant and rave and be crazy. Maglor is right again; they are very lucky to get him as an instructor. (I'm hoping that might be good for Maedhros too--whatever, it's your story and I trust you at this point to tell it well.)
Terrific chapter. So much to love here--the boys growing up, the piercings, the descriptions of Fingon, and the suspense/pain of Elrond dealing with gifts or curses of empathy, foresight, and memories not his own. Loved the boys delight in the dwarves.
I'm loving how you deal with elements beyond the natural by describing them in realistic detail. I'm not very articulate today, but wanted to comment on these chapters now despite that to let you know how thoroughly engaging this story is for me!
Comments on Pieces of the Stars
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.