New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
On a Different Page
Tolkien wrote more than just Middle-earth, and this challenge takes its prompts from his non-Ardaverse stories, essays, and poems. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
Oha, it is so good, that for one time the elves DON'T wake up, knowing all, skilled with everything, no, they have to LEARN.
It is some interesting aspect, that the later to become ;-)) Vanyar, so addicted to verse and song, were first hunters and most interested in concerns of body.
The only thing I don't like (even if may be fitting to the chosen strucrure) is the constant repepetition of * the man that would be...*, it's a lttle bit too often for my liking, I was somehow annoyed :-p ...
Sorry...
But keep on writing, please, and soon the man will eventually BE Ingwe;-))))
I was never satisfied with Cuiviénen/Awakening Era stories, in part because of my amatuerish interest in physical anthropology, prehistory, and early Stone and Bronze Age civilizations - and wishing more fantasy used those as inspirations instead of just quasi-medieval. And how the Unbegotten on principle annoyed me (until, writing Imin, I got to have fun exploring the gulf between them and the 'begotten' elves). I love the Vanyar and found early on that through the slim evidence I could justifiy (or at least not have countradicted) who the primary farmers of Valinor were, and even finagle a warrior tradition lurking behind or alongside the monastic (the Spear Elves, with their Army that defeats Morgoth in 50 years). But yes, hard while writing not to tange off into the development of felt and then woven fabric, of glass-making and metal smithing and the domestication of dogs and livestock. And not have all the focus on linguistics.
I grossly abuse kennings and structures like that, so that is a most valid complaint. ;) And it will end ...soonish.
This is such a sad story, that of Ingwe's parents.
One can see how it would strongly predispose Ingwe in favour of Valinor, where more safety and better healing were available.
While the 'Valar convince the Elves to accept the invitation to move to Valinor' is critiqued as a mistake- and honestly, I don't think it entirely is, only the negilience of Middle-earth later- that it is treated as a terrible and stupid thing for the Elves to have left Cuiviénen for Valinor is one of those personal pet peeves that ranks up there with saying that the Elven Kings and Princes, especially the Noldor, wouldn't have servants. OF COURSE the majority of the elves would be interested in a safe location that actually had constant and reliable light, let alone food and shelter, even without bringing up the close support and contact with gods that only want to teach, protect, and serve them. Cuiviénen wasn't an actual Garden of Eden with the innocence and safety of mythic archetype, nor am I interested in versions where elven society in Valinor was more social restrictive than some idealized Cuiviénen (political manipulation suggesting otherwise? sure. fits with the vaguely fascist undertones I can't help from seeing in Unrest in Tirion). Migrations happen for less. And over-romanticizing of pre-civilization gets annoying.
With the tragedy of Ingwë's parents, it was partly to give a vivid example of the motivations to why more than half the elves take this promise of Valinor, but also the fallout from tragedy to the explain why Ingwë would be an expendable member of his tribe. Because I couldn't see allowing someone that would be important leave for an unknown location for an unknown amount of time, thus the genesis of this fic- and to explain why someone might be motivated to take this incredible but frighteningly uncertain chance to go with Oromë to this myth Valinor place off who knows where.
And I have to believe that knowing at least some, if not all, of their missing or dead family and tribe members were waiting with Mandos and thus reuniting was something that could happen was one of the key motivations for elves to make that Great Journey (and for instance, one of Olwë's reasons).
(... yes, I know, ignore for the moment Dreadful Wind and its sequel)
A compelling first view of Orome!
Also, that foreshadowing of the Sindar waiting for Elwe later in Beleriand resonates.
One of the delights of writing this fic is to dedicate long passages to describing the Valar while going hog-wild on metaphors and trying to capture an idea of a physical being that is also layers of symbolic concepts. And to try to find a way to invoking the supernatural Uncanny Valley without the inherent creepiness or malice (I dislike fan interpretations that go that route for non-Melkor-align Ainur).
I'm addicted to foreshadowing and dramatic irony. And the way the Sindar wait for Elwë -and how that loyalty was properly rewarded- resonates for me like the Arthur awaits in Avalon mythos, only better.
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