Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh well done! I really enjoyed reading these poems! I actually liked the second the best. I liked how you structured them with the first being the way Melkor thinks and the second, how Manwe thinks. Of course Manwe's contains more positive descriptions and provides feelings of hope, whereas Melkor's is quite different.
Thank you so much! Yes, the poems of Melkor and Manwë differ in some aspects and are alike in others, because despite their multiple disagreements, they are still brothers in Eru's mind. Melkor's poem is also more individually centered, while Manwë's is much more altruistic, reflecting their personalities. Anyway, that was the idea behind it; I tried to stay in characer for both of them while waxing poetic xD
Thank you! I tried to portray Melkor not as "the bad guy" here, since it's him speaking, and therefore I wanted to make his vision as relatable as possible.
I really love these! As others have said they are juxtapositioned perfectly, so that you can clearly see the difference but also the truth in both of them. Manwë’s vision is the more obvious one to agree with, but it sort of makes you take a second glance to think about Melkor’s. I like how you made him not-all-evil while still seeming in character. Something about both of these creates really vivid images in my mind. In short, welol done!
Thank you! Since these little poems are from Melkor's and Manwe's perspectives respectively, it would be illogical to make Melkor evil; he doesn't view himself like that, if he sees the world that black-and-white at all. I'm so glad these poems came through to you!
Comments on In Arda Fair
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.