New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Book by Its Cover
Go ahead and judge a book by its cover! Prompts are vintage book covers. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Tolkien Native Language Appreciation Fest 2026
A Tumblr event to celebrate the linguistic diversity of the Tolkien fandom.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Wow. I would not have thought 'Ungoliant' for 'hero', but you make it work. Very nice use of the riddle. (I still can't say I feel much sympathy for Ungoliant or for Morgoth either seperately or together, but you write them quite well.)
Thank you! I've had the idea of giving Ungoliant a voice and a personality for a while, since in my opinion there's always more than one side to any story and Ungoliant is no different. Ofcourse, Ungoliant is certainly no 'hero' in the conventional sense of the word, but she's more than just an "Evil Spider". As for the riddle, I was writing this piece and suddenly I realized how well it fit in the text.
Ungoliant and Melkor are no sympathetic characters although Melkor is one of my darlings, but I'm glad you liked my version!
What a perfect choice of character for these prompts! And a very sympathetic (if one can say so) depiction of Ungoliant. I particularly liked your observations about her Theme in the Music, and her thoughts about what would be most precious to Melkor. I grinned at the description of Melkor's hands! They're not going to stay pale and perfect much longer, are they! For some reason, I also really enjoyed the way you described Ungoliant's shrug. It underlines her spider-ness so neatly. Bringing the darkness riddle into this was also inspired. And that last line is a real killer! In conclusion, so much good stuff!
Yay! I'm so glad you liked it!
I reread the passage in The Silmarillion a couple of times to get everything right, and there is so much potential for Ungoliant as a 'real' character - there are hints as to her thoughts (initially not wanting to follow Melkor, for example) but those are in my humble opinion not expanded enough upon (as is sadly the case for almost every character in The Silmarillion). This was partly also a character study, as I'm sure you've noticed, discovering who Ungoliant was and where she came from, and what the source of her hunger is. I enjoyed writing the shrug-thing a lot, as well as the other little things that indicate her spider-ness. I think I never actually mentioned she's a spider :)
Ah, Melkor! I think that what is most precious to him is not any material object, but rather the people he surrounds himself with, as well as Arda itself since he's invested such a large part of himself in it. Which can be used to argument that Melkor is the biggest egoist in Arda's history. But that's just my opinion ^^ It was really fun to write about his hands, knowing what would happen to them later. Though, I (re)discovered he only burns them when he tries to forge the Silmarils into a crown, which makes me wonder why he didn't simply order Mairon, professional blacksmith, to make it while he hovered close by. I don't think Mairon would've made the mistake of touching them once he heard Melkor's tales about Fëanor and how he acquired the Silmarils; in which case they both wouldn't have burned their hands.
I must admit that the last line is a paraphrasing of the introduction in the movie: "And in the darkness of Gollum's cave, it consumed him." Just like the poem, it just fit too well into the narrative and I couldn't resist adding it.
My response got kinda carried away; I'm just happy you enjoyed this little tale enough to review!
Oh dear, a second comment to respond to yours! I was sort of assuming that Melkor's most precious possession would either be his pride or his liberty/independence, both of which the Valar sort of tried to take from him, but it's intriguing to think that it might be the people he chose to surround him. That's another fascinating idea, that they might have meant a lot more to him than mindless minions!
I always assumed that he burned his hand while clutching the Silmarils during the theft, so I guess Mairon couldn't have helped with that. That's something else that I loved, though, that Ungoliant's unlight couldn't harm Melkor's hands (though she feels it should :D) but the Silmarils did. Perhaps he was just too arrogant to consider the possibility that anything might harm him. Yet more food for thought!
Pride and liberty/independance are what Melkor is, somehow, not what he necessarily wants most. When the Valar imprisoned him they cut off an intrinsic part of Melkor's soul. I don't think they were aware of this (as mentioned in the story, Melkor keeps his Themes, and thus his identity, carefully secret so no one can exploit them) and so didn't understand what they were doing, but it certainly didn't help their case. Melkor is the rebellious one among the Ainur, the one who did not blindly follow Iluvatar's Themes but instead did what he himself liked best, and this is what fundamentally sets him apart from the other Ainur. Since he is literally a part of the world, it is not that strange an idea that he is supposed to rule it. This again ties into the liberty/independance part of him; Melkor is simply unable to sit back and watch while others build their realms and kingdoms upon Arda, be they Ainu, Elda or Human. This is also part of the reason why he destroyed so many of the Valar's works before he was first chained, the other part being that it was just so much fun :D
That said however, I don't think Melkor sees himself as the Supreme Overlord or something similar, instead building true relationships with those around him (I'm a fervent Angbang shipper, I admit it, and not entirely unbiased in this matter). He is not against other people as a principle, it's just that those others always want to take what is his.
I assumed the same thing until I reread the chapter, but during the flight the Silmarils are actually inside a crystal box that does become heated to the touch when he refuses to give them up to Ungoliant and she strangles him, but he never actually touches them. It is stated in the book that he only burned his hands when he picked them up to set them in his crown.
Melkor is way too powerful for Ungoliant to harm him, until she devours the power of the Trees (imagine the enormous strength of the sun only being a single fruit from a Tree, two of which grew nect to each other!) I think that later on that power did fade away as she exerted herself, but in that moment she was the stronger of the two. This might ofcourse also have something to do with Melkor still not discarding his physical body or changing his shape, and being taken by surprise. I think that in a fair fight Melkor could've defeated her, even swollen as she was then.
The thing with Ungoliant's Unlight not harming him while the Silmarils could... well, I think that's only because Varda hallowed the Silmarils, which is in my interpretation basically channeling Iluvatar and using his power to enchant the stones.
Ofcourse this is all just my headcanon, feel free to ignore or accept it :)
All-devouring hunger was the only thing she saw in their hands. The Valar did not possess that thread of darkness, that core of Nothing that made up her being; they could not understand the starvation that was their mercy.
I can sympathize with this.
The whole story is an impressive look at feelings and facts through a totally different perspective than I, for one, have ever tried very hard to do.
It is a virtuoso effort and very successful.
Thank you for your kinds words! Ungoliant was, for me too, surprisingly fun and intriguing to write. I'm so glad you liked it!
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Comments on The Crownless Queen
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