Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Awww! Well done. I really enjoyed this story. I like the background details that you've given to Amárië. I like the interpretation that you give of the text from the Grey Annals which says, "and she was not permitted to go with him into exile." The implication, of course, being that she wanted to go, but someone stopped her.
Thank you, I'm so glad you liked it! I knew right away when I saw the challenge that I wanted to write Amarië, but I wasn't sure where I was going with her until that "not permitted to go" popped out at me when I read your character biography.
I really like how rebellious Amarie is! It shows how brave she is, even though she thinks herself a coward. It's also nice to see her find a new family, who will support her and her decisions. Also, one that's full of people who are brave in less conventional ways, like her...Arafinwe for turning back to deal with the aftermath of the fight at Alqualonde, and Earwen for holding her two people together through everything.
Great story! It's always fun to read things about the more obscure characters like Amarie.
Poor Amarië has spent a lot of time regretting not standing up to her parents and running after Finrod. She may be surprised to learn he spent a lot of time in Beleriand thanking the Valar that she wasn't there, much as he missed her... I think Eärwen needed Amarië as much as Amarië needed her.
This is so lovely. I am sorry it has taken me so long to put into writing what I told you in person at the Mereth Aderthad!
Things I love ...
The clear turning point, when Amarie realizes the convenience of conformity has led her to lose the one she loves, represented by the moment when she leaves her parents' home to go to Findarato's parents. This is such a loaded moment--the leaving of home a symbol of a coming of age delayed by the horror of the Darkening and then her hesitancy to follow Findarato.
The style is simple, the words few, and yet I have tears in my eyes when I read this. Her despair over learning not only of his death but the manner of his death is heartbreaking.
The reembodiment scene ... admittedly, this is a personal quirk because I love stories that imagine this. :) (I wrote a Finrod-reembodiment story myself, but the witness was Finarfin, not Amarie!) Her horror at the sight of him, followed by her joy as she feels the life returning to his body ... again, you are not super-elaborate in telling this story, but the simplicity really works. And of course the very satisfying ending when she realizes what she wants and decides to involve his family this time in helping her to make the necessary decisions.
Thank you! No worries, I'm glad you commented on this story - it reminded me I meant to follow up with more of Finrod and Amarie!
Poor Amarie was convinced by her parents to do what she thought was the right thing, only to second-guess herself once it was too late. Her pious Vanyarin parents never understood, and their reaction to Finrod's death was really her breaking point.
I tried to keep Lorien/the reembodiment simple but not too simple - Amarie was so overloaded for most of it that she really wasn't able to take in much detail. The only thing she really notices besides Finrod is 'wait, why does Irmo not seem more sure about what he's doing?'
Comments on A Second Chance
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.