Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Tolkien Meta Week
Tolkien Meta Week is a week-long event to encourage fans to create nonfiction works related to Tolkien's world. Tolkien Meta Week will run from December 8-14, 2024 on Tumblr and here on the Silmarillion Writers' Guild archive. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Awww! Well done. I really enjoyed this story. I like the background details that you've given to Amárië. I like the interpretation that you give of the text from the Grey Annals which says, "and she was not permitted to go with him into exile." The implication, of course, being that she wanted to go, but someone stopped her.
Thank you, I'm so glad you liked it! I knew right away when I saw the challenge that I wanted to write Amarië, but I wasn't sure where I was going with her until that "not permitted to go" popped out at me when I read your character biography.
I really like how rebellious Amarie is! It shows how brave she is, even though she thinks herself a coward. It's also nice to see her find a new family, who will support her and her decisions. Also, one that's full of people who are brave in less conventional ways, like her...Arafinwe for turning back to deal with the aftermath of the fight at Alqualonde, and Earwen for holding her two people together through everything.
Great story! It's always fun to read things about the more obscure characters like Amarie.
Poor Amarië has spent a lot of time regretting not standing up to her parents and running after Finrod. She may be surprised to learn he spent a lot of time in Beleriand thanking the Valar that she wasn't there, much as he missed her... I think Eärwen needed Amarië as much as Amarië needed her.
This is so lovely. I am sorry it has taken me so long to put into writing what I told you in person at the Mereth Aderthad!
Things I love ...
The clear turning point, when Amarie realizes the convenience of conformity has led her to lose the one she loves, represented by the moment when she leaves her parents' home to go to Findarato's parents. This is such a loaded moment--the leaving of home a symbol of a coming of age delayed by the horror of the Darkening and then her hesitancy to follow Findarato.
The style is simple, the words few, and yet I have tears in my eyes when I read this. Her despair over learning not only of his death but the manner of his death is heartbreaking.
The reembodiment scene ... admittedly, this is a personal quirk because I love stories that imagine this. :) (I wrote a Finrod-reembodiment story myself, but the witness was Finarfin, not Amarie!) Her horror at the sight of him, followed by her joy as she feels the life returning to his body ... again, you are not super-elaborate in telling this story, but the simplicity really works. And of course the very satisfying ending when she realizes what she wants and decides to involve his family this time in helping her to make the necessary decisions.
Thank you! No worries, I'm glad you commented on this story - it reminded me I meant to follow up with more of Finrod and Amarie!
Poor Amarie was convinced by her parents to do what she thought was the right thing, only to second-guess herself once it was too late. Her pious Vanyarin parents never understood, and their reaction to Finrod's death was really her breaking point.
I tried to keep Lorien/the reembodiment simple but not too simple - Amarie was so overloaded for most of it that she really wasn't able to take in much detail. The only thing she really notices besides Finrod is 'wait, why does Irmo not seem more sure about what he's doing?'
Comments on A Second Chance
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.