Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is a hefty piece of work! (I am nearly as out of my depth as Aule was about consider living bodies!) I don't know where to start. I enjoyed it very much. Aule's investment in the formation of the core of the earth and creation of its rocks, minerals, volcanoes, etc. is fascinating and straining my pitiful little mind which runs along the lines of imagining and creating character-driven fiction, all about people talking and interacting. And yet you are able to embody Aule with ambition, desire, curiosity, and appetite--all of those same impulses that I think so much about in my writing.
I like the use of the name Aa8;ūlēz. Has an authentic ring. Also like the encounter with Mairon and how Aule is comfortable with rocks but insecure with living organisms. The concepts are beautifully dealt with. Nice job.
I like my Ainur unearthly and not-human on principle, so thank you. Gods should always be a little bit terrifying. I had no idea how to pronounce Aule's Valarin name, but I found a sound sample pronunciation here: https://www.jrrvf.com/glaemscrafu/english/nomsvalarins.html
This was terrific! So strange and yet it made perfect sense. The juxtaposition of the rocks and fire of Aule's form and the fragile and wet bodies of the Maiar was so well done, just how it feels when you cut your skin on a sharp piece of stone. Thank you for sharing this!
It is quite worrying to think of those early experiments of Sauron's!
Although it makes sense that Aule needed some input when creating the dwarves, because for what seems to be a first attempt, they turn out surprisingly successful, don't they?
Oooh, excellent. You've done a fantastic job at depicting the alienness - and the limitations, a topic dear to my heart! - of the Ainur, especially of Aulë, and you've created an atmosphere that is at once primeval and beyond human comprehension, and yet readable for human readers. I'm intrigued by the idea that Aulë would have turned to some of his Maiar for help. It's a little ironic that he reprimanded Mairon for his (however horrific) experiments when we know that soon after, Eru Himself will have a word or two to say about the creation of the Dwarves... I love how you dealt with the matter of their pre-Quenya names, BTW! There seems to be a little glitch, though; on my computer, at least, Aȝūlēz appears as Aa8;ūlēz (that is, with letters and numbers where the yogh should be), which makes the reading kind of awkward! Not sure whether other people have the same problem, and of course it has no bearing on the quality of your writing!
Great depiction of Aulë: superhuman, inhuman, walking on the tightrope. Sauron is pretty scary. It's not surprising that he (and Saruman) would eventually choose the Dark Side!
Wonderful! I love how Aulë, despite being a Vala, is still learning about Arda and about how he might create things within it. (And the way that he thinks about things!) Your use of names is very deft, it really anchors the story in the time before the Valar had encountered the Children.
Comments on Turn All Your Flesh As Gold
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.