Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Have you ever wondered what would happen if the characters in The Silmarillion were smoooooth like they were sippin' a Sex on the Beach on a party barge in the harbor at Alqualondë? The "Yacht Rock Silmarillion" retells The Silmarillion as though the characters all had perms…
"Move farther north," Caranthir says to her a month after the attack, gaze steady on her even as his hands continue briskly gutting fish. "There is plenty of land closer to my fortress, and my people can help protect yours if there is another attack."
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
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Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is a hefty piece of work! (I am nearly as out of my depth as Aule was about consider living bodies!) I don't know where to start. I enjoyed it very much. Aule's investment in the formation of the core of the earth and creation of its rocks, minerals, volcanoes, etc. is fascinating and straining my pitiful little mind which runs along the lines of imagining and creating character-driven fiction, all about people talking and interacting. And yet you are able to embody Aule with ambition, desire, curiosity, and appetite--all of those same impulses that I think so much about in my writing.
I like the use of the name Aa8;ūlēz. Has an authentic ring. Also like the encounter with Mairon and how Aule is comfortable with rocks but insecure with living organisms. The concepts are beautifully dealt with. Nice job.
I like my Ainur unearthly and not-human on principle, so thank you. Gods should always be a little bit terrifying. I had no idea how to pronounce Aule's Valarin name, but I found a sound sample pronunciation here: https://www.jrrvf.com/glaemscrafu/english/nomsvalarins.html
This was terrific! So strange and yet it made perfect sense. The juxtaposition of the rocks and fire of Aule's form and the fragile and wet bodies of the Maiar was so well done, just how it feels when you cut your skin on a sharp piece of stone. Thank you for sharing this!
It is quite worrying to think of those early experiments of Sauron's!
Although it makes sense that Aule needed some input when creating the dwarves, because for what seems to be a first attempt, they turn out surprisingly successful, don't they?
Oooh, excellent. You've done a fantastic job at depicting the alienness - and the limitations, a topic dear to my heart! - of the Ainur, especially of Aulë, and you've created an atmosphere that is at once primeval and beyond human comprehension, and yet readable for human readers. I'm intrigued by the idea that Aulë would have turned to some of his Maiar for help. It's a little ironic that he reprimanded Mairon for his (however horrific) experiments when we know that soon after, Eru Himself will have a word or two to say about the creation of the Dwarves... I love how you dealt with the matter of their pre-Quenya names, BTW! There seems to be a little glitch, though; on my computer, at least, Aȝūlēz appears as Aa8;ūlēz (that is, with letters and numbers where the yogh should be), which makes the reading kind of awkward! Not sure whether other people have the same problem, and of course it has no bearing on the quality of your writing!
Great depiction of Aulë: superhuman, inhuman, walking on the tightrope. Sauron is pretty scary. It's not surprising that he (and Saruman) would eventually choose the Dark Side!
Wonderful! I love how Aulë, despite being a Vala, is still learning about Arda and about how he might create things within it. (And the way that he thinks about things!) Your use of names is very deft, it really anchors the story in the time before the Valar had encountered the Children.
Comments on Turn All Your Flesh As Gold
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.