Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was fascinating and lovely. I was worried for Nuin the whole journey, hoping that what awaited him among all the strangeness and danger would not be doom.
This really unpacks from those few little bits in the canon about how the earliest Men learned from the Dark Elves in the wild (but then all the textual love goes to the Edain who fell in love with the Noldor!).
Such an irony of the Silmarillion: the published text is so enamoured of the "civilized" Elves who chose "following the gods"/exodus/city-building/knowledge and craft . . .but there is something so compelling about the idea of those who remained in their original lands, living in ancient ways and figuring out their own path, even though the concept of their unprotectedness against Morgoth is terrifying.
What a wonderful piece - and I was completely surprised by what Nuin found, as I had no idea where the story was going. Such a fascinating glimpse of the so-called 'dark elves'.
Ohhh, this was really good. I loved the whole nomadic, tribal aspect of their lives Near the end, as he travelled on and lost his animals one by one, I was on the edge of my seat (metaphorically, as I'm actually lying on the bed, lol). Wonderful writing and a unique idea.
I thoroughly enjoyed the glimpse at Kinn-lai community (and their interactions with other Avarin groups). I wouldn't have minded reading a whole novel about them. Like other readers, I didn't grasp where this was headed, so I was feeling really anxious for Nuin (especially after the threatening start of loosing all the animals, and then the ominous mountain and the near-cataclysm Nuin experiences!), and was so relieved when he survived and discovered the Edain. Excellent descriptions and use of suspense!
Wow! I love your characters and I adore your worldbuilding. I use the Round Earth myself, but I don't try to meld it to the Silm the way you did here-- and yours works. I love Nuin's being both awed and frightened and not letting his fear overcome him. This is a wonderful, wonderful story.
Comments on One Last Spring
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.