Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was fascinating and lovely. I was worried for Nuin the whole journey, hoping that what awaited him among all the strangeness and danger would not be doom.
This really unpacks from those few little bits in the canon about how the earliest Men learned from the Dark Elves in the wild (but then all the textual love goes to the Edain who fell in love with the Noldor!).
Such an irony of the Silmarillion: the published text is so enamoured of the "civilized" Elves who chose "following the gods"/exodus/city-building/knowledge and craft . . .but there is something so compelling about the idea of those who remained in their original lands, living in ancient ways and figuring out their own path, even though the concept of their unprotectedness against Morgoth is terrifying.
What a wonderful piece - and I was completely surprised by what Nuin found, as I had no idea where the story was going. Such a fascinating glimpse of the so-called 'dark elves'.
Ohhh, this was really good. I loved the whole nomadic, tribal aspect of their lives Near the end, as he travelled on and lost his animals one by one, I was on the edge of my seat (metaphorically, as I'm actually lying on the bed, lol). Wonderful writing and a unique idea.
I thoroughly enjoyed the glimpse at Kinn-lai community (and their interactions with other Avarin groups). I wouldn't have minded reading a whole novel about them. Like other readers, I didn't grasp where this was headed, so I was feeling really anxious for Nuin (especially after the threatening start of loosing all the animals, and then the ominous mountain and the near-cataclysm Nuin experiences!), and was so relieved when he survived and discovered the Edain. Excellent descriptions and use of suspense!
Wow! I love your characters and I adore your worldbuilding. I use the Round Earth myself, but I don't try to meld it to the Silm the way you did here-- and yours works. I love Nuin's being both awed and frightened and not letting his fear overcome him. This is a wonderful, wonderful story.
Comments on One Last Spring
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.