Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Plot Thickens
Create a fanwork that depicts characters in the act of plotting something. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
This is really lovely. It took me a bit to realize Nelyo was a ghost--you did that very well. I liked Maglor's rationalization despite his despair--it was heartbreaking to see him relive those memories of loss.
Dior being the voice of redemption was very powerful. I've always felt what happened with Elros ano Elrond shows us how the Fëanorions still have a capacity for choice, free will and doing the right thing, amongst and despite all the horrendous decisions they have made.
And yes my headcanon has always been that he stayed because he is the only one now who knows who they were--before all the misery. Who they were inside, who they were before the oath, who they could have been. He knows the true story of their family and he will preserve that by living, even if he is the only one who knows or remembers. .
Thank you for the lovely comment! It took Maglor a while, too... And you're right, Maedhros a houseless spirit. But I suppose "ghost" is just a more colloquial word for that, or maybe every houseless fea is a ghost, but not every ghost is a houseless fea? :) Dior took me by surprise, it was interesting to expand his character a bit. And yes! No matter whether or not the Feanorians had a choice with the Oath, but I don't think they were irredeemably evil. (Amongst and despite the horrendous decisions for which they are absolutely responsible, yes.) I have two divergent headcanons on that, this is the nicer one. The other is that Maglor believed he didn't even deserve death, and eternal isolation was his form of self-punishment. But either way I like to believe Elrond fought tooth and nail for him and managed to drag him home in the end.
Not a ghost in the usual form of course but a fëa that has refused the call--a houseless spirit.
"I will be the open ending, the missing part of the puzzle": both a great ghost story, and a coda for the mystery of his fate: which has given birth to a thousand new stories . . .
Thanks again :) ! Yes, isn't is wonderful that Tolkien left us the mystery? The open ending is powerful in itself. (Even if it hurts.)
This is very interesting. I'm often very annoyed with Dior when I think about his part in the story, but you give it a different slant here which made made me pause to think.
"No," Dior admits thoughtfully, "it truly was unforgivable for me to decide. I should have known better, should I not? Given my age and experience, and the glowing praise I heard from my family about the house of Fëanor..."
It is certainly true that everyone had their own views to color their choices and Dior was young and in this version of his story sheltered and influenced by what he had been told and thought he knew.
Go Maglor! I am one of those hope-springs-eternal types myself. I also love the idea of a re-do. Read a great story yesterday that covered that aspect.
I adore the use of the Gandalf quotation: “Despair is only for those who see the end beyond all doubt.”
Thank you! I felt the same about Dior, which is why I decided to look a bit more closely at his character here. Now he mostly makes me sad. He was a young man (half-man) whose short reign was probably overshadowed by the HUGE shoes Thingol left him to fill, and he hadn't even grown up in Doriath. He had very little experience in kinging. And his parents had reasons to mistrust the Feanorians... *shrugs* Any take on this is valid, but now I mostly think he was completely out of his depths. - Hope springs eternal, YES! I want to believe that the story of the Feanorians doesn't end like it seems to end. Gandalf and his views on pity and mercy make me think the Valar may have reconsidered their position at some point. (Well, no one tells us otherwise, so we can make our own stories about it!)
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