Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Loaded with fabulous details that define setting, characterization, and backstory. I am no expert on architecture or design, but you've convinced me of the authenticity. Love the discussion of the strangeness of adjusting to the new light. Beautifully paced and lovely language.
Loaded with fabulous details that define setting, characterization, and backstory. I am no expert on architecture or design, but you've convinced me of the authenticity. Love the discussion of the strangeness of adjusting to the new light. Beautifully paced and lovely language.
Thank you so much! I'm still at the point in my fiction writing where I'm doing it by instinct, and I get very nervous when I have to put some of it out there for other folks to see. It's so much easier to do that knowing there is appreciation for what I am trying to do. The story I want to tell (which is at heart about thingmakery/subcreation) is perforce set at a time of enormous social and even cosmic change. It's important to me that I both stick as closely as I can to whatever canon is available and also make some attempt to have my characters grapple with what is going on around them, from delight to PTSD and everything in between.
Glad you like it! I'm trying to imagine how it must have been for a princess to be as displaced in as many ways as Galadriel was at the beginning of the First Age.
Thanks! One of the things I want to explore about Galadriel is her identity as a sort of Yavanna-Jesuit, that is, one of the most deeply educated in the branches of knowledge for which Yavanna is renowned. (As I look at her history in Middle-Earth I see the influence of that early education playing out across especially Eldarin but also Edain culture, and I will be writing more about it as this series develops.) I imagine that her meeting a sentient being who is also clearly tied to Yavanna would have set up a form of religious resonance for her, especially in the first full spring season of Beleriand under Anor. Perhaps Galadriel's hunting cousins would have preferred to meet Ents rather than Entwives, given their shared ties to Oromë!
Wow, it's a really interesting and original idea that the elves could communicate to the trees like this, and that they could mutually shape trees' future. Well done!
Thanks! I feel like I've always known how Galadriel (and others) would and could talk to trees, but this is the first time I've had to consider at length how she might have gone about "encouraging" them.
As for Teleporno, well, he's an old-fashioned kinda guy. He'll probably not let that phrase slip again for years!
By rights it should be, yes. :-) But honestly, I don't think I am ready for the emotional turmoil of telling Galadriel about her family's woes. It's hard enough writing her side of things, which she is repressing very determinedly.
Comments on The Fairest Vessels That Ever Sailed
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.