Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
B2MeM 2011
Back to Middle-earth Month 2011 featured a daily postcard from a different location in Middle-earth with a creative prompt inspired by that location. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you :)\r\n\r\nTak - z polskiego, polska wersja jest na ff.net i tutaj:\r\nhttp://fanfiki.tolkien.com.pl/viewstory.php?sid=31\r\n\r\n(Szkoda, że SWG nie wysyła powiadomień o komentarzach.)
SWG wysyła powiadomienia o nowych komentarzach i o odpowiedziach autorów też. Można to ustawić w: Account Info --> Edit Preferences, zaznaczając checkboksy przy Contact for new reviews i Contact when author responds to review :)
I don't know quite why I liked this piece. It was so fresh (like the first snow itself) and so original that it stayed with me.
I especially liked the image of Maedhros turning his face towards the snow.
The following lines were also memorable:
Father, what jewel would you forge if you could capture a snowflake before it reached my face? How would you save the white frost gracing the world at dawn? Preserve a pattern embroidered with ice?
Apart from the beautiful imagery, I loved the idea of capturing a snowflake and of preserving a delicate thing of beauty.
The picture was also beautiful, and made this piece more memorable for me. Also, I think you're a great artist (although I know nothing about art)!
I'm favouriting this piece; thought I'd let you know.
This is my fav part of the story, too, the other came without plan, sometimes I think it would have better effect if I left him with his thoughts uninterrupted. The whole story is result of imagining the picture of his face in snow. I'm glad you like the image, too - I guess you're talking about the newer image from August (which I just liked here, too). I'm sure I'll paint it anew in the future to get even closer the image which made me to put this scene it in words :)
(One doesn't have to know a lot about art to appreciate it, all what matters is if it leaves impression.)
Comments on The First Snow
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.