Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Ouch! Sorry, don't mean to trivialize--I am just a little delicate. (Not surprising from someone who turned the day after Thangoridrim into a lighthearted story.) I also have a great deal of difficulty in writing a drabble or double-drabble. Therefore, being wordy myself, I appreciate the effort. You certainly did exactly what you intended to do in a mere 200 words.
A belated thank you, oshun! My apologies for taking so long to respond. Yeah, two hundred words. And I, or rather my software, counted every damn one of 'em.
Hmmm, I know we had a mini discussion about well, executioners and it is the tenderness at the heart which gives this ficlet that twisted taint. I wonder if the last line is more of a torture than the iron rod being brought to skin, to be addressed as an evil person like Sauron is. A subtle line, probably even more hurtful to Celebrimbor because that past will haunt him even there. Makes the definition of kinslayer very interesting in this context.
Re: "the tenderness at the heart which gives this ficlet that twisted taint. I wonder if the last line is more of a torture than the iron rod being brought to skin..."
Given these comments, it looks like I achieved what I had hoped to in this short bit (kind of amazed that I did actually). In literature, villains can be portrayed as the embodiment of Evil with a capital E, which is fairly consistent with how Sauron is portrayed in the LotR, which I read as more binary in terms of "good" and "evil" than The Silmarillion. In the latter, as well as in other writings of JRRT, he has more dimension. I'll freely admit that I'm infected with post-modernist tendencies toward villains, but it seems to me that the worst kind of betrayal comes from one who was previously trusted, respected or even loved. Many people have experienced similar betrayal (with varying degrees) in "real life." So yes, that last "benediction" from Sauron probably was horrifically painful for Celebrimbor. From Annatar/Sauron's perspective (at least in my vision), he still held the memory of genuine affection and respect for his former colleague but nonetheless would do whatever it took to achieve his ends and with no regret. Great catch on the meaning of kinslayer, too!
Well, heck, that's a long-winded way of saying "Thanks for the comments, Rhapsy!"
This is wonderful. You put alot of impact into 200 words. I love to read about Celebrimbor - he is the very definition of tragic hero. He was part of the kinslaying yet he turned against his father in the end, then he tries to redeem himself and ends up making a big ole mess of it (sounds like his grandfather lol) and getting tortured to death. Tragically beautiful piece.
Thanks so much, Alassante, for the compliments. Given how verbose I am, managing to write something in 500 words or less is a feat.
Yes, Celebrimbor is a tragic figure, yet by forging the Rings, he contributed to Sauron's eventual downfall. To control the Seven and the Nine, Sauron had to put a significant amount of his power (and to my mind, himself) into the One Ring, using the same "technology" that he developed in collaboration with Celebrimbor and Gwaith-i-Mirdain. So, Tyelpo wound up redeeming the Fëanorians by a circuitous path.
As a scientist, I'm pretty sympathetic to Celebrimbor and his kin. It's easy to become enraptured (ensnared?) by the "Ain't it cool?" aspects of technology and lose sight of its balanced applications. That can lead one down some iffy paths as it did for Celebrimbor and also for Annatar/Sauron. That's explored with a lot more verbiage in my other fics, including "Cat's Paws" which is told from Celebrimbor's PoV.
Thanks again! And as typical, my response is longer than the darned ficlet.
I read this right after "Cat's Paws" and it gave me goosebumps, the two stories are like polar opposites. Thanks to the MEFAs I found myself reading your stories and have been enjoying the way you fleshed out Sauron/Aulendil.
Thanks for the comments here and on MEFA! Yes, I don't see Sauron as a unidimensional cardboard cutout of an Evil Character. One of my reviewers on MEFA commented on Fëanor and Sauron as "two of Tolkien's most powerful intellects." That is exactly how I see them. That level of intelligence invariably comes with a complex personality, thus my version of Annatar has sincere regret over lost friendship with Celebrimbor but at the same time, he will allow nothing and no one to get in his way, hence his overriding ruthless and chilling aspect.
Yikes. That's chilling and quite efficient, not unlike your antagonist. Though I have to admit that I find it also chilling and curious, struggling for the word here, that Sauron, a rebel angel, so to speak, becomes the instrument through which the curse on the House of Feanor is fulfilled. Poor Celebrimbor, thinking he'd found a person with whose assistance he might achieve redemption for his house, only to be delivered to his doom. Allright, excuse my melodrama, but choice and fate are quite interesting here.
Thanks, Lilith! Yes, that was the effect I was attempting to achieve here. Tolkien wrote that the Elves' obsession with 'fading' and their desire to create a replica of Valinor in mortal lands that made them eager for the knowledge which "Sauron genuinely had." JRRT also wrote (see Letter 131 to Milton Waldman, the Letters of JRR Tolkien) "But at Eregion great work began – and the Elves came their nearest to falling to 'magic' and machinery." Ah yes. There's that big bad word in Tolkien's view: machinery. So my take -- and your mileage may vary ;^) -- is that Celebrimbor and Aulendil (Sauron) shared similar interests and engaged one another intellectually. After all, both were brilliant "technologists." So I see it less as fate and choice than predilection and choice. And given Tolkien's jaundiced view of technology ("machinery"), both Celebrimbor and Sauron are bound to fall.
Thanks again for reading and for the insighful comments.
Poor Celebrimbor, trying to redeem his house, just to end up betrayed and tortured to death by the very person one trusted to help one ... it is unbearably cruel.
And afterwards - the final insult - his dead body is carried, naked, as a banner by his enemy's soldiers.
Thanks so much for reading and commenting, Lissa. Yes, the theme of Annatar/Sauron's betrayal of those who trusted him is a consistent one throughout my fics. However, in my view, indirectly Celebrimbor did redeem his house. Whatever technology he devised (in collaboration with Sauron presumably) was linked into the One Ring somehow which then allowed it and its maker to be destroyed. But yes, I, too, am not keen on how Celebrimbor was treated nor am I much flattered by the original author's predilection for making his best and brightest technologists (Fëanor, Eöl. Maeglin, Saruman, Sauron & Celebrimbor) have such dark fates. I've already railed about that here.
Chilling and intense are the two words I would use to describe this story. I liked the image of Celebrimbor as a star, a broken one to be speciic. There's a lot of great symolisim in that. I liked how Sauron gave Clebrimbor ne last chance. The ending left me with goosebumps. Brilliant writing. I'm going to have to read Cat's Paws now.
Many thanks, Jedi Tarja! I tried to pack as much as I could into this short piece, which really is sort of an epilogue to Cat's Paws. Broken Star is but one snippet of the larger Pandë!verse. I really ought to put a chronological (as in Arda time) list on my bio for the fics. At any rate, thanks for having a read and welcome to the SWG! :^D
Comments on Broken Star
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.