Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you I am glad you enjoyed it. I wanted to write something sweet pregnancy related but..well then Miriel took over and even the foreshadowing of Feanor tends to destroy sweetness and fluffyness :) I enjoyed writing it though and am glad you enjoyed reading. Thanks for the fb
What a great ficlet Uli! You created a beautiful portrait here of Miriel and to see this sliver of her motivations is a treat. I just can see her sitting there as the High Queen of the Noldor under Laurelin, consciously aiming to give her unborn son all the qualities he will need to be a good and strong leader, a beacon for those who will follow them. This also shows the ambitious side of Miriel (I really like that) and what she wants for her kid, but also setting things in motion that will become her own undoing. It’s obvious to me where Fëanor got his pride (but then they do claim that sons take after their mother in character...)!
Thank you! And good heavens yes, someone had to have been ambitious and why not Miriel, she was the one that seems to have put toomuch energy into creating her perfect son after all :) I am glad you enjoyed this and thank you for the lovely feedback
I may be reading too much into this, but I liked the sentence structure you used here... long and elaborate, and still rather simple... it makes Míriel's voice very strong and still conveys that "primitive innocence" of the Eldar that Tolkien valued so much. With Míriel's foreknowledge of her son, I wonder if she is aware just how much life will change, especially for herself...
"Their children will be less than mine, I do not carry a night-time child but one of fire[...]." - absolutely wonderful. I think this is the strongest line in the story - it implies so much we know about the Spirit of Fire, and very much reminds me of your poems. I wish I could say more right now, but that would require a very thorough interpretation of the story (and that would include many of my ramblings) - it is so packed with motives - the half-finished gown, the fire symbolism, the colors, Laurelin itself, autumn - without being overdone or clichéd (an easy trap to fall into when writing about the Feanorians!) that I probably will come back and read it again and again (this was, I think, the fourth or fifth time I came back) and still find something new. There is a whole world just beneath the surface of your words, and as an archaeologist in training (and a student of literature!) I can't wait to excavate it!
Truly magnificent and impressive. Thank you for writing this.
I write drabbles and double drabbles much the same way as I write poetry so I am not that suprised if there are resemblances between the two. I just really enjoy writing them and playing with getting the right lanagauge that I want and a sentance structure that 'flows'.
This feedback makes me smile every time i iread it so once again thank you
You described so well the concept of the prophetic "mother names" of elves in the line: "...their children will be less than mine, I do not carry a night-time child but one of fire, of passions such as our people has never seen."
Miriel is a big "what if" for me--how different things would have turned out if she had not decided to "die". Thanks for this piece about her.
Apologies for the extremely late reply to your wonderful feedback.
The whole thing of mother names being prophetic intrigued me and Miriel always have, chosing to pass from the world. Silmarillion would have been very different had she made a different choice
Comments on Expecting.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.