Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Fanon Inverted
Take a fanon you feel passionately about and turn it on its head, creating a fanwork that goes against the fanon norm. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I loved this the first time you showed it to me, and it does not become worse for reading both second and third times. :)
The first time around, Maedhros was the one who jumped at my eyes, his pain and the depth he has sunk to are so very obvous by the stupor he sits in, and the anger and reproaches he aims at Fingon. This time however it is the Valiant Fingon who stirs my heart. He who has sacrificed much to come to the rescue of his kin is not reaping any gratitude or recognition. He has cried his bitter and fearing tears over having doomed his cousin to this existence, and at this point in time, he is just numb - and instead of hope he has stubbornness. Poor Fingon. Luckily though not as numb as he thinks himself, when he fights the shadows in Maedhros and wins.
Thank you so much for sharing this story here - it was a delight to reread.
I remember writing it as if in a frenzy and sharing bits and pieces with you as I went :) It was a blast, wasn't it? And then your fab drawing to complete the portrayal of Maedhros :D Thank you a million for your constant support and shaking pom poms :) Surprising arrivals of new muses are indeed very thought-provoking. Lucky me ;)
Every time I read this piece again, something else just jumps at me. It is not so much a happy piece, a test of wills where Fingon is confronted with his actions. Valiant vs the concequences of such deeds, did he actually really think things through properly and considered what Maedhros actually wanted. Again, Binks, this is a fabulous take about the aftermath of Thangorodrim: you bring anger and raw emotions to the surface, not to much, but with the gritty relalistic writers touch that I don't see often when it comes down to these two. It simply jumped off the screen and then you realise how fast you are drawn into this piece. Well done!
Thank you :) It was a very interesting experience, and I'm glad it worked. I do love when stories seem to write themselves, as if someone really whispers words into my ear, and all I need is to type them :)
Thanks again for your review and constant support :D
Binka, thank you again for the story. I just read it again with the same delight that I read it the first two times. The passion, madness, intensity ... wow. And the ending is very touching. I don't think I noted this the first time that I read it, but I found the ending very poignant, very well done.
Wow! Robinka, this is a very powerful take on Maedhros' post-Thangorodrim state of mind and the profound damage he must have suffered. He's precariously balanced at the edge of a knife between sanity and madness. All of the piece is compelling (loved the intensity of the dialogue between Maedros and Fingon and its bittersweet resolution), but your first paragraph is simply fabulous. It drew me immediately into the story.
It was a blast, I can tell you. The muse simply broke the door here and sat me in front of the screen commanding, "Write!". Who was I to argue? And it was the very first time I wrote Fingon :) I'm really glad that my idea worked. Thank you so much for reading and taking the time to leave a review. :D
Beautifully done! I like the way Meadhros has withdrawn, and it isn't clear he will ever be coming back - until faced with Fingon's refusal to let him go.
The contrast between the room - fire-lit, musty etc.. and the outside world - the night air, Maedhros' brothers waiting out there... really worked well for me. I loved this bit about the bat - "he looked up to see a bat meandering in hasty circles". It was a bat all over, and for me it just emphasised the contrast between the room and the free and open world outside the window, where a bat is chasing moths. (Oh - I quite like bats btw, so I can see that people who don't have a very different take on the scene! Worked for me though!)
I finish with the comment Pandemonium gave me... What happens next?
Thank you tons for your wonderful review :D I'm really happy that you found the story interesting and that the details you pointed out worked :) As for your question, I wish I could say, "and they lived happily ever after" *sigh* Maybe my Nelyo muse will decide to tell me one fine day ;)
Once again, thank you very much for taking the time to read and review :)
This is very powerful and thought provoking. I am particularly interested because I have been writing the same story from a totally different perspective—the same impulse but a polar opposite way to get to this point. I decided to tell the story as though Maedhros seems almost preternaturally normal (excuse the contradiction in terms there). He appears to be too well to be true and it is only over the passage of time that Fingon begins to realize the full extent of the damage that he is hiding. Who knows if I can do it; because it is a much slower process, I have barely started after writing some nearly 50,000 words on the subject.
And, yet, when I read yours, I see the same people. I find the characterization very strongly based in the bits of canon that we have for their story. I completely believed in your interpretation when I read this.
Thank you so very much for your kind words. I admit I was pretty uncertain about this ficlet. My Nelyo muse came around quite unexpectedly, besides this was the very first time I wrote Fingon. I'm so happy to hear that my idea worked :D It was a very interesting experience. Once again, thank you a lot for taking the time to read and leave a review. :)
I’ve read this quite a few times, and by now I think it’s quite overdue for a review from me. You’ve got everything just right – the mood, the dynamic between the two of them – it’s moving, and powerful, and overall just excellent. Good work. (Although, I have to ask: the quote you chose for the beginning was an interesting choice – why that song?)
Thank you very much for taking the time to letting me know that you like my story, and more and more thank yous for reading it several times! I'm very happy to hear that and I appreciate your kind words.
As for the song, well, Linkin' Park is one of the bands I really like. When I wrote this ficlet, (and it was a very sudden impulse to be honest. I looked at the flame in my oven and thought: And Maedhros stared at the fire. Then, Of course! Dawn! And I ran to my desk and wrote it.), these lines lingered in my head, so I thought that I'd add them to underline the desperation, both Fingon's and Maedhros' -- the song seems a call for help, but at the same time is very rebellious in tone.
I'd call this a lovely piece, but there isn't anything lovely about it - which is why it's so good. An asture reader knows there had to be a lot of pain in the aftermath of Thangorodrim, not just for Maedhros ('...the shadow of his pain was in his heart'), but for Fingon and theo ther sons of Feanor as well, who are going to have to accept the reality that some hurts they can't heal.
Comments on In absentia
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.