Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
These are as powerful here as when I first read them in the netherworld. :^) My hat's off to your depiction of the immediacy of Alqualondë from the viewpoint of Teler and Noldo with such crisp language! Nicely done!
Congratulations on taking the plunge! You're doomed now, you know. :^D
I really like how you've conveyed the contradiction of attitudes in these two drabbles: the horror and chaos of the attack from the point of view of the victim, and the steel-cold drive of a trained assailant. The skillfulness would be later turned into pain and remorse, but it would be too late to atone for the disaster. Very well done, and thank you for sharing :)
Thanks Robinka - the idea for the first one came from a discussion with Rhapsody in LJ (the second one was written first, in fact...) Glad you enjoyed and thanks for commenting!
What a debut, Moreth! This is wonderful characterization in these two drabbles. You absolutely broke my heart in both of them. You captured the scene so well. The first character is so young and unaware he will soon be facing something he has never even thought about. (The "Nana" and the "stars are fading" pushed me over the edge.) The Feanorian on the other hand, has been prepared, but is nonetheless tragic, because part of his preparation has been don't think, just keeping moving, do what you have to do. His grief and guilt will necessarily have to be dealt with later.
This moved me far beyond much more ambitious and much longer pieces I have read about Alqualonde.
I'm glad you enjoyed (if that's the right word). The whole scenario seems pretty horrific and confused to me - I'm glad that came across. Indeed, the poor Feanorian is going to have a very bad time afterwards!
Drabbles seemed easier to start on then some full blown epic - so I suspect I'm cheating a little, but thank you ;)
I'm going to have to agree with the others: a most impressive debut! :^D Both drabbles are fantastic and, put together, create a great effect. I literally had shivers by the last line of the first. Such innocence about to abruptly end. Actually, I think that's somewhat true of both, when both Elves are about to learn hard lessons about the world, about the capabilities of their own kind to commit violence.
Again, wonderful work, most highly recommended to anyone stumbling through and willing to take my word on things. :)
Hi Rianna, and thanks for the comment! I hope you have as much fun as I am. The guys (gender neutral) here are great, so I'll pass on the advice given to me - "Go for it"!
There's a lot of detail left out in Tolkien's writing - I can see why, but gritty detail is soooo much more interesting to write! And the more I think about it, the worse it gets for the poor guys... (I entirely blame Rhapsody for the first drabble!)
You know, I absolutely hate people who use so few words and do so much with them. And that is a compliment, immediate and very traumatic, it gives the sense that violence, and the use of weapons to kill is new to the Noldor and Teleri, the shock at the feeling of dying and the shock the Noldo who has killed feels after, fighting, putting all they have learned into practice, seems reflexive, but after - that is when realization hits home. * claps *
Oh, thank you :D Coming from someone who writes such beautifully intricate detail it is a compliment indeed! I tried for something that depicted the shock of violence - from both sides. It was an interesting challenge to balance the two.
This was incredible. The two scenes show such contradicting views but on some level are quite similar, and fit together nicely. And the line, “Nana, the stars are fading...” *shudders* Terrifying, but sort of scarily beautiful.
Like my own kinslayer, yours also just goes through the motions of what he has learnt. When they learnt it, they were probably told of the dangers of Middle-earth, where they would hopefully go some day, perhaps even of Orcs - I don't believe that killing other Elves was ever even thought about in their training.
And when he's finished, and stops to think - yes, I totally believe your desrciption.
Comments on Alqualondë
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.