Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Soap Opera
Create a fanwork using our prompt generator that includes stock characters, common plot scenarios, settings, and episode types that are frequently featured in soap operas. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I'm glad I get to be the first to review. You already know how crazy I am about Maitimo. It's easy to feel the same way about Fingon. Reading about them in a garden somehow reminds me of "The Scented Pleasure Garden" especially when you mentioned the blue flowers for Fingon and that he feels that red flowers would suit Maitimo.
But all kidding aside, I enjoyed reading the story because of the of what lies beneath: of innocent, golden times shadowed with the premonition of darker future events. Thanks for sharing this.
My favorite line is Nelyo's: "Do you ever think that maybe we're just like that flower...that maybe, maybe we weren't meant to stay rooted forever."
Oh, god, it was so hard not to think of your fic when I was writing this!I was trying to be serious, and you made it very difficult. :pI have not been into early Valinor fic much lately, I don’t know why.(Maybe it’s just too uplifting for me...?)But I have to admit, it was such a relief to take a break from “Just One Victory” and write something even halfway uplifting and innocent, even if I couldn’t resist a bit of foreshadowing.And I’m very glad that you enjoyed it.Thanks for reviewing!
Beautiful, insightful and very atmospheric piece. I especially like the bits of foreshadowing, because I often wonder how much exactly the Eldar would know/feel about their future for sure and how that knowledge might influence the present. Great job!
Thanks very much!I have a bad habit of foreshadowing more than necessary, so it’s reassuring to know that I didn’t go completely overboard.I’m glad you enjoyed it.
I'm a sucker for visual imagery, so your beautiful descriptions of light and colour really stayed with me.
Nice symbolism, too, with the red and blue for Maedhros and Fingon respectively. Out of curiosity, do the white flowers represent anyone in particular, or are they just symbolic of fragility?
Also, well done with the foreshadowing!
Nelyo once said that I would make a good king.
Small sentences like that, sprinkled throughout - very effective. Also, the concept of blasphemy was - not chilling, exactly, but premonitory (is that even a word?).
Mistrali
P.S. I've been listening too much in English class lol.
Thanks for taking the time to review.I tried to keep symbolism to a minimum here (well, considering that the entire story was built around it, anyway); I am not a symbolism person at all, so the white flowers can mean whatever you’d like.Really, I wrote most of this story while sitting in a garden, and there literally were white and blue flowers all over the place, but no red.I guess that just got me thinking.And I can never resist foreshadowing; it’s all over the place in almost all of my stories.
p.s. Don’t pay too much attention in English class – they’ll destroy your appreciation of all things literary, and they never know what they’re talking about anyway. :p
This is a lovely piece- loads of wonderful undercurrents and oblique references as well as that sort of excitment that comes from discovering love - and I love the rather more adult and knowing Nelyo. Just thoroughly enjoying reading your work right now.
Comments on Blasphemy
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.