Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
But I Won't Do That
Consider what "that" is for your character: the one thing that she or he refuses to do, no matter what. And what happens when she or he ends up having to do it anyway? Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Great read! And,as you said, only about half funny. You raise some great issues here. But I did certainly chuckle at this one:
Moreover most of the younger elves had seen little point in learning building skills when so many houses stood empty. “I don’t suppose Manwë would consider a mass release?”
Thank you:) Can't help wondering if Tolkien *meant* Tirion to be destroyed, or just hadn't thought about it, also whether there was any significance to those 'Caves of the Forgotten'. Ah, so many questions....
Insurance claim now... oh dear, you've made me start imagining Elf-lawyers. Although it's hard to win a case when your opponent would also be the judge.
Wonderfully original. This is the kind of story that makes you go like "Yes, I should read the texts more carefully". I like Fianarfin's characterization: not so meek and humble but with some of his half-brother's personality. Poor Olwe, he always seems to be involved in cleanups of Alqualonde.
Well, Finarfin's been king a few thousand years, it was bound to bring out the Finwian in him ;). Good point about Olwe, I hadn't thought of that but he is another character who seems to get stuch with picking up the pieces. Thanks!
Very interesting ideas here, and I have to echo your other reviewers that I am so glad that you did not make Finarfin a wimp. It is always a joy to read him portrayed as a strong king rather than a hand-wringing wimp.
I'm glad you liked Finarfin in this story. I never thought Finarfin could be a wimp. Even apart from the fact it must have taken guts to go back and apologise, he was a war leader too.
Comments on Footnote to the Akallabêth
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.