Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
And you've reduced me to a fit of incoherent squeeing with those verses taken from one of my favorite passages in PL! Those verses are so bloody appropriate.
Thanks so much! This ficlet was spawned this morning over my second cuppa Tanzanian medium-roast. It may very well become the centerpiece of a chapter in Eregion (if I still have the energy and guts to tackle that). If that chapter ever materializes, I can see it titled "Into This Wild Abyss." :^) *Shiver* Milton has a way with words.
Wah! Very powerful. At the start it feels as if he's teethering on the egde and then he takes the plunge with so much confidence. And somewhere in the outer voids, Melkor is screaming. :)
Thanks muchly, Rhapsy! Glad to know that you noted that moment of hesitation followed by that supremely arrogant confidence which indicates (my version of) Sauron is in character.\r\n\r\nIn my \'verse, Melkor can scream all he wants. No sound\'s going to get past that accretion disk. ;^)
Very good indeed - if such an adjective can be applied here!
The two bits I really, really like are the phrase 'the temptation of beautiful minds...' and also the blisters on his hand. But every word in there counts!
And, of course, there is only one possible answer...
I can see the B2MeM project is really contagious, hmmm? :D And I will only say YAY (what a rhyme...) for the themes that inspire such great ficlets as this one. Both poetic and vivid, scary (in a good way), mysetiorus, and simply a splendid work of art. Thank you.
Thanks, Binka! You know, I actually have a picture painted in my head of this scene, but executing it is another matter. Maybe once I complete my "legendarium" I should take a class or two to reactivate my art n' design sensibilities and illustrate my own work! :^D But for now, I'll just "paint" with words.
A pivotal scene in Annatar's "existence" and you managed to paint it in a few words. Your Annatar just makes my skin crawl when you place him in scenes like these.
Thanks muchly, Raksha! Given the plethora of Tolkien fic out there, I'm sure this has been addressed somewhere, but this is how I see it fitting into the Pandë!verse.
I have goosebumps! This is just wonderful, not happy-skipping-tra-la-lally wonderful, but dark and evocative and definitely thought-provoking wonderful. :^D That brief moment in the middle where Sauron shows that he has doubts somehow make the physicality of it worse in the end; it's so much easier when he's not sympathetic.
Thanks so much, Dawn! Although writing a villain with a conscience and self-doubt presents its own challenge, I think it poses a greater hurdle for many -- but thankfully not all - readers.
Pssst..have a look at Binka's illustration of the fic. It's fantastic!
Comments on Till Fire Purge All Things New
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.