Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
What an amazing story! Glorfindel is so real, contrasts starkly to the elusive Moriquendi; his old world gone and new one ill-fitting to his size - a beautiful portrait.
Your description of the road to Imladirs is wonderfully done, mud tracks and woods and troll bait...
Thanks so much for such a lovely review! I'm very glad you enjoyed the story; I did have fun writing it, in fact I was (re)discovering the joys of narrative along the road to Imladris, so it's wonderful to hear it works. And thank you for picking up the contrast between Glorfindel and the Moriquendi, and his discomfort in the new world!
I'm glad to see that Erestor and Melinna survived the battle for Doriath!
This is an excellent story of Glorfindel's return to a considerably different Middle-earth. His confusion and terrible sense of loss are very credible here, as his gradual accomodation of and rising respect for Erestor.
*g* I'm nothing if not a canon slave (well, as long as it's explicitly set out in the Silmarillion, so, okay, plenty of space for manoeuvre), so Erestor had to survive that one. I'm glad you enjoyed this story! And again, thank you so much for so many kind and thoughtful reviews! It was a really lovely surprise to wake up to them all.
The fury of Glorfindel's confusion is very well rendered here. I like the way you've gone for a harrumphing larger-than-life personality for him - the kind I gave him in my own stories. The prose flows well and it all makes sense.
Hi, Wendy! To begin, thank you for all your reviews of this story! It's good to hear you liked my prose and the characterisation of Glorfindel here. I'm glad you enjoyed the story and I hope you don't mind me filling your in-box with replies. ^^
I love the way you've woven the other characters into this tale. Having read your story in which Erestor and Melinna featured before, I found it hard to reconcile their levity here with that fic, until I realised you were adding depth to them via their frivolity.
Since Erestor is Elrond's chief counsellor, I'd like to read your version of how he got the job...
Again, I'm glad you liked the way the story was going! The background to Erestor's place as Elrond's chief counsellor is set up in 'Wanderlust'; I still haven't written my version of how he eventually came to settle down in Imladris, partly because that may be the last serious piece of LOTR fanfic I ever write and I have quite a lot of other stuff still to be written. So it may be a while.
As for Erestor and Melinna's frivolity -- well, 'Blood and Fire' deals with a fairly atypical event, and is indeed somewhat atypically unleavened tragedy compared to my other stories. Also, of course, this story is taking place four and a half thousand years later, so while I wouldn't say they've forgotten that episode, I think it's fair to say they've learned to live with it. I hope the characterisation harmonises overall in both these and my other stories!
Brilliant! You have revealed the wisdom I thought might be lacking in Erestor and Melinna. Playing dumb is one of the oldest tricks there is, and it's worked perfectly. I like the twist of having had Erestor and Melinna recover one of Glorfindel's most prized possessions. Brilliant ideas, beautifully rendered.
Niggles:
Glorfindel and the Istar had sampled most OF the alcoholic beverages
through which [poured] the Road POURED like starlight through storm clouds.
It's great to hear that you like the twists in this chapter! And thank you so much for picking up that missing 'of' (so easily done), although I think I would prefer to keep my syntax for the Road simile. I'm not sure I intended to have Erestor and Melinna playing dumb, more that Glorfindel mistook their levity for frivolity -- his judgement could hardly have been impeccable under the circumstances, after all.
That's a perfect end to a brilliant story. The loose ends leave open opportunities to weave more tales around this theme and I love the way you end with Glorfindel getting to know Erestor and Melinna better.
That was so quietly and sadly beautiful. The way you weaved the story through Glorfindel's nostalgia and Erestor and Melinna's obfuscation so that very little was clear until the very end was quite ingenious. The confusion gave more weight to Glorfindel's emotional turmoil, which I'm sure was your intent, so well done there. Also, the way everything quietly resolved in the epilogue married perfectly with nightingale music motif. What a joy to read!
It's lovely to hear you enjoyed this story, and that the mix of nostalgia and obfuscation paid off in the end. You're absolutely right, I did want the conclusion to give weight to Glorfindel's emotional issues, once he had arrived at Imladris and was no longer able to distract himself with the journey. And I'm very glad the resolution worked out for you! Thank you so much for taking the time to leave such a thoughtful review!
I really liked this story! Erestor and Melinna were really interesting. I especially liked this part:
"“I daresay you do,” Erestor replied evenly, motionless in the shadows. For once he seemed completely unamused and his tone was cool. “And I say – very sad. Gondolin was destroyed by its enemies, as it was doomed to be destroyed once Morgoth realised that Turgon was willing to be a nuisance to him. That’s sad and vaguely heroic. If anyone other than your Lady Idril had listened to Tuor, you might only have lost the buildings. That’s sadder and rather less heroic. If you think Gondolin was the most beautiful city in Middle-earth, you obviously never visited Menegroth – and Menegroth was sacked by its allies. Twice. Now that’s not just sad, that’s downright tragic!”"
That was a really great point, about Menegroth falling to it's allies.
Comments on Goldilocks and the Three Balrogs
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.