Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I enjoyed reading this a lot--so very dark and touching and vivid. Your description of a disturbed Maedhros post-captivity was very well done I think. The ending was just superb. Looking forward to reading more about your Feanorians.
Thanks for the review! I'm glad you enjoyed the story. My post-captivity Maedhros is complex; most of the time he seems normal (heck, most of the time he IS normal), but he occasionally falls into deep depressions and fey, dark moods, and he's certainly far harder and less willing to extend trust than he was prior to his torture (as his execution of the thrall based on mere suspicion that the man may have been corrupted shows very clearly). Thangorodrim did nothing good to him. (If you like this fic, you ought to check out Ivanneth's wonderful story "Of Oaths" for a different look at a post-Thangorodrim Maedhros. You can find it at ff.net and at HASA.)
Oh, Ithilwen, this is so moving. The description of how the Thangorodrim experience affected Maedhros rings so true, how he can function apparently normally in most respects but suddenly the depth of his suffering breaks through . His death wish is so very understandable and, how he must be thinking he is doing the runaway thrall a favor killing him as he could be released from all the terrible memories and suffering he is forced to endure. There is this wonderful sentence about his feeling "trapped by the terrible love of my cousin and my brothers" that so well describes the situation. I've been enjoying all your stories but I found this one particularly moving.
I see post-Thangorodrim Maedhros as almost having bipolar disorder: most of the time he takes pleasure in life (sometimes almost to the point of mania), but he's subject to unpredictable bouts of really black depression, and meeting up with the escaped thrall has triggered one. I also think he's in part lying to himself about why he did what he did. Killing someone is a lot easier if you can tell yourself you're really doing the dying person a favor by ending their suffering than if you admit to yourself you're really carrying out a cold-blooded (even if necessary) execution.
I got where Maedhros was coming from with the 'mercy', or thought I did but you wrote it more beautifully than I imagined. I liked the honest (mis)understanding of Faelathron just saying what he saw - murder - and then feeling appalled as he realised what it really meant. I know I've made snap judgements before and then had them called (not quite on this level mind you) so it had resonance for me.
Anyway, you know I love your stories. More, please!
What Faelathron saw is indeed the question at the heart of this fic. Maedhros had several reasons for doing what he did, and it's unclear to me at least just how much his action was driven by mercy and how much by harsh necessity. Faelathron was right when he noted, though, that if death was indeed a mercy, it was one which Maedhros was willfully denying to himself.
Oh, I have been stalling commenting upon this terrific story, because I had hoped to give it the remarks that it deserved. I truly loved your original character Faelathron. His observations are fascinating: the combination and evolution of hero-worship, through disillusionment, and finally a form of understanding are well done.
Maedhros, of course, is hard to write. We are told in the texts that his spirit never completely recovers from his experiences, but his deeds tell us of a complex character with a capacity for mercy, despite the requirements of fulfilling an oath that cannot be undone, and an incredibly competent organizer and real leader of his people from his father’s death until he takes his own. If there is anything that leaves me cold it is flat characterizations of Maedhros. This one is anything but flat and forces the reader to think.
It is sometimes hard to read others differing interpretations of characters one has spent a long time thinking about. Yours is close but still not exactly the same as mine, but I found myself to completely able and willing to suspend any disbelief and accept your particular characterization and appreciate it. I would highly recommend it to anyone who wants a serious look at Maedhros. Once again, however, the real star of this story for me is the engaging Faelathron. I adored him.
Oh, I'm glad you liked the story so much, Oshun! Coming from someone who writes Maedhros so well, your praise means a lot.
I had a lot of fun writing Faelathron. Accepting that your personal hero has serious flaws but going on to admire him anyway is something I think most of us can relate to (what adolescent isn't disillusioned in that way eventually?). And it only made sense to me that there would be younger Elves (and probably children as well) living at Himring beside the older, battle-hardened warriors, and that they might romanticize the earlier great Noldor battles in the past, as well as the heros of those battles such as Maedhros, because they don't yet understand the full costs of war.
"Horribly sad" sums up the fate of most of the major characters in the Silmarillion. Fingon meant well, but I wonder whether everyone would have been better off in the long run if he'd killed Maedhros rather than rescuing him.
Comments on The Thrall
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.