New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Duel of Songs
Try your hand at poetry for National Poetry Month. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
I enjoyed reading this a lot--so very dark and touching and vivid. Your description of a disturbed Maedhros post-captivity was very well done I think. The ending was just superb. Looking forward to reading more about your Feanorians.
Thanks for the review! I'm glad you enjoyed the story. My post-captivity Maedhros is complex; most of the time he seems normal (heck, most of the time he IS normal), but he occasionally falls into deep depressions and fey, dark moods, and he's certainly far harder and less willing to extend trust than he was prior to his torture (as his execution of the thrall based on mere suspicion that the man may have been corrupted shows very clearly). Thangorodrim did nothing good to him. (If you like this fic, you ought to check out Ivanneth's wonderful story "Of Oaths" for a different look at a post-Thangorodrim Maedhros. You can find it at ff.net and at HASA.)
Oh, Ithilwen, this is so moving. The description of how the Thangorodrim experience affected Maedhros rings so true, how he can function apparently normally in most respects but suddenly the depth of his suffering breaks through . His death wish is so very understandable and, how he must be thinking he is doing the runaway thrall a favor killing him as he could be released from all the terrible memories and suffering he is forced to endure. There is this wonderful sentence about his feeling "trapped by the terrible love of my cousin and my brothers" that so well describes the situation. I've been enjoying all your stories but I found this one particularly moving.
I'm glad you liked it! Thanks for the review.
I see post-Thangorodrim Maedhros as almost having bipolar disorder: most of the time he takes pleasure in life (sometimes almost to the point of mania), but he's subject to unpredictable bouts of really black depression, and meeting up with the escaped thrall has triggered one. I also think he's in part lying to himself about why he did what he did. Killing someone is a lot easier if you can tell yourself you're really doing the dying person a favor by ending their suffering than if you admit to yourself you're really carrying out a cold-blooded (even if necessary) execution.
Love this!
I got where Maedhros was coming from with the 'mercy', or thought I did but you wrote it more beautifully than I imagined. I liked the honest (mis)understanding of Faelathron just saying what he saw - murder - and then feeling appalled as he realised what it really meant. I know I've made snap judgements before and then had them called (not quite on this level mind you) so it had resonance for me.
Anyway, you know I love your stories. More, please!
I'm glad you liked the fic!
What Faelathron saw is indeed the question at the heart of this fic. Maedhros had several reasons for doing what he did, and it's unclear to me at least just how much his action was driven by mercy and how much by harsh necessity. Faelathron was right when he noted, though, that if death was indeed a mercy, it was one which Maedhros was willfully denying to himself.
Oh, I have been stalling commenting upon this terrific story, because I had hoped to give it the remarks that it deserved. I truly loved your original character Faelathron. His observations are fascinating: the combination and evolution of hero-worship, through disillusionment, and finally a form of understanding are well done.
Maedhros, of course, is hard to write. We are told in the texts that his spirit never completely recovers from his experiences, but his deeds tell us of a complex character with a capacity for mercy, despite the requirements of fulfilling an oath that cannot be undone, and an incredibly competent organizer and real leader of his people from his father’s death until he takes his own. If there is anything that leaves me cold it is flat characterizations of Maedhros. This one is anything but flat and forces the reader to think.
It is sometimes hard to read others differing interpretations of characters one has spent a long time thinking about. Yours is close but still not exactly the same as mine, but I found myself to completely able and willing to suspend any disbelief and accept your particular characterization and appreciate it. I would highly recommend it to anyone who wants a serious look at Maedhros. Once again, however, the real star of this story for me is the engaging Faelathron. I adored him.
Oh, I'm glad you liked the story so much, Oshun! Coming from someone who writes Maedhros so well, your praise means a lot.
I had a lot of fun writing Faelathron. Accepting that your personal hero has serious flaws but going on to admire him anyway is something I think most of us can relate to (what adolescent isn't disillusioned in that way eventually?). And it only made sense to me that there would be younger Elves (and probably children as well) living at Himring beside the older, battle-hardened warriors, and that they might romanticize the earlier great Noldor battles in the past, as well as the heros of those battles such as Maedhros, because they don't yet understand the full costs of war.
Ow. It's horribly sad; I'm not sure what else to say.
"Horribly sad" sums up the fate of most of the major characters in the Silmarillion. Fingon meant well, but I wonder whether everyone would have been better off in the long run if he'd killed Maedhros rather than rescuing him.
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Comments on The Thrall
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