Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Jumble Sale
Member-created prompts upcycle old challenges and prompts with additional new twists. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I adored this story when I first read it on your website, and still do, despite the unhappy ending. I love the idea that Maglor went on through the ages (doubtlessly meeting lots of important people and witnessing lots of important events for the sake of fanfic writers ;)), and this kind of-almost-encounter with Tolkien is both heartbreaking and strangely satisfying in that line. Thank you for reminding me of this story!
I'm glad you liked this story; it's one of my personal favorites as well. To me, it's Tolkien who has the sad ending here, coming so close to meeting one of the sons of Feanor only to miss the chance because of a fluke of fate. Maglor at least gets to go home and rest (even if the actual going process is painful).
Wow, Ithilwen...I loved this. It's the first story I've read on this site, so it was a fabulous welcoming present! I love to read of WW1 and the courage of those men in the face of such futile carnage, and I've always admired Owen's poetry. Putting Maglor and Tolkien in there as well, and having the three of them sort-of meet, was touching and slightly frustrating (part of me wishes we could have seen a conversation between Tolkien and Maglor, but I know that the way you handled it was best for the story). Thank you so much - gorgeous work!
Thanks for the lovely comments, Narya. I'm glad you liked the story so much! This one's always been a personal favorite; WWl was such an influence on Tolkien's later works. If you'd like to sample another, very different "Maglor and Tolkien in WWl" story, check out Lipstick's fic "Captain Tinkerbelle" (which you can find at HASA and ff.net, but unfortunately not here); it was written for the same challenge.
This is a wonderfully heartrending story. I love that Tolkien found the Red Book first, before "meeting" Maglor. It made the latter's death all the more sorrowful, because of the "what if they had actually met and talked" factor.
A would-be vocalist, Owen speculated when he first heard the man singing, whose youthful dreams were crushed when someone finally told him the truth: that he simply does not have enough talent to sing professionally.
This line, more than any others in the story, shows exactly how far Maglor has faded. And I love its power.
I'm glad I managed to break your heart with this fic; I nearly broke mine while writing it. To me, all of WWl is about "what might have been" because it was such a foolish waste of so many young lives. That was the feeling I was trying to capture in this story.
(And I too find the thought of Maglor, of all people, being regarded as "not talented enough to sing professionally" almost inexpressibly sad.)
I'm not sure if I'd read this before; but this is a gorgeous story, though terribly sad. It also explains some of the wistfulness and sorrow of the late Third Age Elves, who are leaving Middle-earth just when the great and long struggle against Sauron ends; victory is bittersweet, because their beauty and wisdom will leave the world of Men.
Interesting inclusion of Wilfred Owen in the story - he is a compelling foil to Tolkien, in real life, history, and philosophy/literature.
Thanks you for the kind comments, Raksha; I'm glad you liked the story. That tone of wistful sorrow which is present in both The Lord of the Rings and the Silmarillion was exactly what I was hoping to achieve here, because to me it has echos in WWl; we're left wondering what all those young men who died in that war would have accomplished had they lived. And of course that war also marks the end of the Edwardian period, and the death of a particular form of society which we'll never see again.
Owen struck me as the perfect foil for both Maglor and Tolkien in this tale for precisely those reasons. Like Maglor, he's a poet of prodigious talent; unlike Tolkien, he didn't live long enough to fulfill his obvious promise. I'm glad you thought his inclusion worked.
Comments on Chance's Strange Arithmetic
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.