Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Current Challenge
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Random Challenge
B-Movie
Prompts for this Matryoshka challenge are loosely inspired by the predictable plot arcs of hilariously abominable, eye-rollingly corny, so-bad-they're-actually-kinda-good horror films. Read more ...
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Around the World and Web
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I adored this story when I first read it on your website, and still do, despite the unhappy ending. I love the idea that Maglor went on through the ages (doubtlessly meeting lots of important people and witnessing lots of important events for the sake of fanfic writers ;)), and this kind of-almost-encounter with Tolkien is both heartbreaking and strangely satisfying in that line. Thank you for reminding me of this story!
I'm glad you liked this story; it's one of my personal favorites as well. To me, it's Tolkien who has the sad ending here, coming so close to meeting one of the sons of Feanor only to miss the chance because of a fluke of fate. Maglor at least gets to go home and rest (even if the actual going process is painful).
Wow, Ithilwen...I loved this. It's the first story I've read on this site, so it was a fabulous welcoming present! I love to read of WW1 and the courage of those men in the face of such futile carnage, and I've always admired Owen's poetry. Putting Maglor and Tolkien in there as well, and having the three of them sort-of meet, was touching and slightly frustrating (part of me wishes we could have seen a conversation between Tolkien and Maglor, but I know that the way you handled it was best for the story). Thank you so much - gorgeous work!
Thanks for the lovely comments, Narya. I'm glad you liked the story so much! This one's always been a personal favorite; WWl was such an influence on Tolkien's later works. If you'd like to sample another, very different "Maglor and Tolkien in WWl" story, check out Lipstick's fic "Captain Tinkerbelle" (which you can find at HASA and ff.net, but unfortunately not here); it was written for the same challenge.
This is a wonderfully heartrending story. I love that Tolkien found the Red Book first, before "meeting" Maglor. It made the latter's death all the more sorrowful, because of the "what if they had actually met and talked" factor.
A would-be vocalist, Owen speculated when he first heard the man singing, whose youthful dreams were crushed when someone finally told him the truth: that he simply does not have enough talent to sing professionally.
This line, more than any others in the story, shows exactly how far Maglor has faded. And I love its power.
I'm glad I managed to break your heart with this fic; I nearly broke mine while writing it. To me, all of WWl is about "what might have been" because it was such a foolish waste of so many young lives. That was the feeling I was trying to capture in this story.
(And I too find the thought of Maglor, of all people, being regarded as "not talented enough to sing professionally" almost inexpressibly sad.)
I'm not sure if I'd read this before; but this is a gorgeous story, though terribly sad. It also explains some of the wistfulness and sorrow of the late Third Age Elves, who are leaving Middle-earth just when the great and long struggle against Sauron ends; victory is bittersweet, because their beauty and wisdom will leave the world of Men.
Interesting inclusion of Wilfred Owen in the story - he is a compelling foil to Tolkien, in real life, history, and philosophy/literature.
Thanks you for the kind comments, Raksha; I'm glad you liked the story. That tone of wistful sorrow which is present in both The Lord of the Rings and the Silmarillion was exactly what I was hoping to achieve here, because to me it has echos in WWl; we're left wondering what all those young men who died in that war would have accomplished had they lived. And of course that war also marks the end of the Edwardian period, and the death of a particular form of society which we'll never see again.
Owen struck me as the perfect foil for both Maglor and Tolkien in this tale for precisely those reasons. Like Maglor, he's a poet of prodigious talent; unlike Tolkien, he didn't live long enough to fulfill his obvious promise. I'm glad you thought his inclusion worked.
Comments on Chance's Strange Arithmetic
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.