Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Queens of the Quill
In the spirit of poetry month and Legendarium Ladies April, create a fanwork using a poem by a woman poet as your inspiration. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I didn't realise that I was holding my breath until the very end, what a build up. I wonder what argument they had, but the regret on both sides is so immensely palpable. It feels to me that Elros managed to move beyond it, whereas for Elrond reality just sank in. Most of all I love the ending, I love how Elros goes out with his son and grandson to meet his people for that last time, as if he would want to say goodbye to his great family gathered outside on the square. That image will stay with me for a while.
I think I've spotted a typo in your author's notes, though. If Gil-galad was Fingon's son, he and Elrond would be first cousins twice removed, not thrice: Gil-galad would have been Idril's first cousin. He would have therefore been Earendil's first cousin once removed, and Elrond's and Elros' first cousin twice removed.
That's a minor niggle, though, against the enjoyment of the rest of the story. I only point it out because I'm certain that you'd want to correct it.
Thanks, Surgicial Steel. I will indeed make the correction. I must not have been paying attention. I am glad you enjoyed the story in spite of this minor error.
Very poigniant and touching. I enjoyed most hearing about Elros' wife and children. How hard it must have been for Elrond to say goodbye to his brother. I liked the ending very much
Thank you, Roisin. I am glad you enjoyed this story, especially hearing about Elros´ wife and children. It is a pity that Tolkien never mentioned who Elros married. She had to be an extra special person to capture his heart.
It was a very beautiful story. Reading so much about Elrond and Elros lately has made me really think about how hard it must have been, and their reasons for choosing as they did, and how the decision affected the other. You do a very lovely job of showing this interplay, and I particularly liked the ending. It reminded me that, at first, they lay down their lives when it was time. What an amazing concept of being ready and content with what you've done! Thanks for a great story.
Thank you, Fireworks, for your reivew. I am very pleased that you enjoyed this, especially the end. It is indeed an amazing concept and it is a pity we do not have that ability (if we ever did).
This is a very moving story. It gets an especial poignancy from the fact that Fiondil has taken the statement that Veantur was the first to sail back from Numenor to Middle-earth and made this the first contact between Numenor and Lindon after Elros’s death. Other stories on this theme that I’ve read have either assumed that Elrond and Elros were in telepathic contact (because they were twins or because of Elrond’s powers) or that Elvish mariners were sailing back and forth between Lindon and Numenor (or rather stopping at Numenor on their way to and fro from Tol Eressea). Thus, the loss of contact between Elrond and Elros after Elros’s departure is absolute, and this is the more painful, because in this version of the story Elrond clearly resented his departure. Their only chance of achieving closure is the penning of a letter that Elros cannot be entirely sure his brother will ever receive (although, in fact, he seems to be remarkably confident that Elrond will do so eventually). When Elrond does receive it, the fact that his brother has died is such a shock that it takes some time to sink in that, in fact, his brother died so long ago that in Numenorean terms another lifetime has passed; clearly for Elrond, living the life of the Eldar, the likelihood that Elros would have died by this time was by no means obvious. The pain is mitigated by the lovingly depicted supportive environment that Elrond, despite his early losses, now enjoys at Mithlond and, for the reader, by the fact that Elrond is apparently well on his way in his career as a healer. It is also mitigated by the success that Elros has made of his life in Numenor and the contentment he has achieved. The latter, however, is somewhat overshadowed by the knowledge that Elros’s achievements will in the end be ruined and lost by his descendants, because they themselves cannot be content the way he managed to be.
Comments on Tenn’ Ambar-Metta
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.