Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I'm having trouble finding words to review this! You have the terror and the loneliness and ultimately the horror of this sort of era so very well. It reminds me very strongly of studying early modern history and the various religious persecutions going on back then. The lost possibilities going on between Alagos and Mestië are heartbreaking. Thank you!
*grins* Thank you! There are definite parallels there with history, and unfortunately now as well. Their attraction crept up on me while I was writing, so I\'m glad you liked it. It was the part of the story I was most worried about.
The details of the forced move of the Faithful and of the punishments being carried out against them really do call to mind some of the worse religious persecutions that we see - I'd say 'that have happened in the past,' but as we know, they still unfortunately do go on.
The mutual attraction/love between Mestie and Alagos feels 'real' somehow, and it's heartbreaking that neither of them realizes it until it's too late.
Mestie's observation that she's been treated 'the same as any woman in captivity' is such a simple statement that carries so many horrific implications - it almost makes me wonder if part of her seemingly calm acceptance of her fate is because she finds death preferable to continued captivity.
Yes, unfortunately they do still. I despair that humanity will ever change.
I\'m ecstatic that you think their attractions feels real! I do have a bit of backstory, namely that both were taught it couldn\'t/shouldn\'t happen, and when Mestië married, Alagos chose to never speak of it, especially after her husband died. But Mestië settled for Taratecil, because she thought she couldn\'t have Alagos.
Hmmm… I hadn\'t thought of that, but it makes a heck of a lot of sense!
I should have known that things would end this vay for poor Mestie but, I did not see it coming! The story was a great portrayal of the kind of injustices and punishments--and adjustments--t at they might have gone through. Thanks for a great glimpse into the Faithful's life.
This is a very chilling piece - especially following as it does your earlier fic about Mestie's wedding. The reader knows the ending won't be a happy one, but Mestie's fate still comes as a punch in the gut. Well done!
Thank you! I\'d hoped that people wouldn\'t guess what happened. I\'m glad you like the differences in contrast between the two stories. This one was actually the second one I wrote-- \"Every Wish\" came first.
This is a heart-breaking, tragic story -- even more tragic that Alagos had a chance to read Mestie's son's letters and his suffering would be endless. Greatly done. It brought tears to my eyes.
Thank you! Alagos will mourn for eternity, and I think that\'s the most heartbreaking thing of it: his missed chance. I\'m pleased the emotions rang true enough to bring tears.
A very effective vignette; with compeling OC's. Poor Alagos, sundered for an eternity from the woman he loved. The letters from Taranar are a great way to end the story, giving the consciousness of the Elven scheme of time, which is so different from that of Men.
I\'m glad you think it\'s effective and that my OCs are compelling! It\'s always a risk writing them. Poor Alagos indeed. :( I\'m glad you liked the letters. They tied up the loose ends, and yes indeed, show the difference between mortals and Elves. Thank you!
Oh wow, Indy! This is so immense and powerful. How very sad that Alagos would live with that regret for the rest of his life. I love how you portrayed this grittier, more tragic, side of Numenor. These kind of stories should be told more. Life in Numenor was so multi faceted, and I love Mestie and her children. Your OCs are wonderful. I loved her acceptance f her fate, very much like the Faithful. I love that you added a tragic love story to this. I feel for Mestie in so many ways, having been parted from two loves, her husband, and then Alagos. I feel for her children too.
This was so beautifully done, truly. Wonderful job.
Thank you! Alagos\' regret is one of the saddest parts of the story. I do wish they were told more-- life in Middle-earth wasn\'t all goodness except in Mordor and Angband. Societies have problems, even if they aren\'t visible.
I\'m glad you like my OCs-- they can be difficult for people to accept. (As I think you know.)
Their love story snuck up on me while I was writing. The scene by the window was when I first realized they were both attacted to each other, but I didn\'t want to put it in there, but they both put their feet down and demanded otherwise.
This is my first review on SWG. I read this piece in duet form with "Every Wish." Were those two titles chosen to complement one another - wishing on stars? In any case, they form a sobering balance to one another: the hopeful maiden of the first piece, trying on her bridal dress, and the older and resigned woman of the second. We have too little time with Mestië, but her sad and quiet strength in captivity deeply impressed me, and I was touched by all of the implications of her brief marriage to Táratecil, her long friendship and abiding love for Alagos, the precious lives of her two children. Two short pieces, but I could sense something of the life of this woman. It is sad to think of all that she was cheated.
I also loved her son Táranar's consideration in his missive to Alagos at the end.
Stunningly unimpressed by Manwë (but then again, that is how I usually feel about him.) "Did not anticipate" indeed. I felt as if I read something of that sentiment in Námo's silence as well, but it's probably just me projecting.
Welcome to SWG! I'm honored you chose my story to review first.
Yes, the two titles were chosen to complement each other. "A sobering balance" is a wonderful description. I'm ecstatic you love Mestië and her life. She was an interesting and fun character to write. Yes, her fate is sad-- it's the people like her who make up Middle-earth. (After all, Frodo never considered himself a hero.) And Númenor's story isn't just about the nobility.
Oh, that sentiment is there. I'm not fond of the Valar, and think of them as incompetent at best.
Comments on Falling Stars
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.