Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was awesome! What an exciting story! I loved everything about it--Isildur's characterization and his exhilaration in the hunt rings particularly true--but I would like to especially comment on two thingd: 1) I had never given thought to distance before, and seeing now what this whole operation must have taken has brought a new appreciation and awe to me; 2) This may not have been what you intended, but your descriptions of the statues brought to mind the decline of greek civilization as reflected in their art, but also roman imitation of greek art which was, though to all purposes, still magnificent, did not quite measure up to classical standards, and I thought that worked in so many levels for this particular time period. All in all, I just loved this storyand am adding it to my favorites :-)
The distance between Armenelos and Rómenna is not actually all that bad - a day's brisk journey for a good walker, and a relaxed day's ride with a good horse -but Isildur is not currently up to a hard walk or a swift ride, especially as he can only move under cover of darkness, so I supposed it'd take him a bit longer.
Concerning the statues, the decline of Ancient Greek art (or "decadentisation" as my mom calls it) was exactly what I had in mind, so I'm exstatic that you picked up on that!
This is a really gripping account! The opening is very striking and I love the amount of detail you include; it makes everything seem very realistic. All the way through I was very conscious of the risks, both in the short term (getting run through by a guard) and possibly in the long term (being captured, implications for the family). The transition from imagined dangers, as Isildur approached the tree, to very real dangers, as the guards became aware of him, was excellent. Thank you!
I have to admit that I was at first rather unhappy with this story because it felt so utterly un-original, like a mere re-telling of the respective paragraph in the <i>Silmarillion</i> rather than something new. I'd actually meant to write a rather more controversial story, but that somehow didn't want to get written, so in the end I wrote this instead, and while I thought it was an ok-ish story, I wasn't happy with it at all. Of course, now I've been working on the controversial bit for a week, and it's turning out rather unsatisfying, so I'm glad I have this here written. And if I ever manage to get the other story written after all, I can always add it as a kind of sequel to this...
I love how much detail you put into this! The symbolism of the statues and their destruction was particularly affecting, and I enjoyed the note of Isildur's nickname's real-life inspiration.
Comments on A Game of Risk
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.