Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Pride
Create a fanwork using a prompt from an LGBTQIA+ person, choosing from music, art, poetry, and quotations. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was awesome! What an exciting story! I loved everything about it--Isildur's characterization and his exhilaration in the hunt rings particularly true--but I would like to especially comment on two thingd: 1) I had never given thought to distance before, and seeing now what this whole operation must have taken has brought a new appreciation and awe to me; 2) This may not have been what you intended, but your descriptions of the statues brought to mind the decline of greek civilization as reflected in their art, but also roman imitation of greek art which was, though to all purposes, still magnificent, did not quite measure up to classical standards, and I thought that worked in so many levels for this particular time period. All in all, I just loved this storyand am adding it to my favorites :-)
The distance between Armenelos and Rómenna is not actually all that bad - a day's brisk journey for a good walker, and a relaxed day's ride with a good horse -but Isildur is not currently up to a hard walk or a swift ride, especially as he can only move under cover of darkness, so I supposed it'd take him a bit longer.
Concerning the statues, the decline of Ancient Greek art (or "decadentisation" as my mom calls it) was exactly what I had in mind, so I'm exstatic that you picked up on that!
This is a really gripping account! The opening is very striking and I love the amount of detail you include; it makes everything seem very realistic. All the way through I was very conscious of the risks, both in the short term (getting run through by a guard) and possibly in the long term (being captured, implications for the family). The transition from imagined dangers, as Isildur approached the tree, to very real dangers, as the guards became aware of him, was excellent. Thank you!
I have to admit that I was at first rather unhappy with this story because it felt so utterly un-original, like a mere re-telling of the respective paragraph in the <i>Silmarillion</i> rather than something new. I'd actually meant to write a rather more controversial story, but that somehow didn't want to get written, so in the end I wrote this instead, and while I thought it was an ok-ish story, I wasn't happy with it at all. Of course, now I've been working on the controversial bit for a week, and it's turning out rather unsatisfying, so I'm glad I have this here written. And if I ever manage to get the other story written after all, I can always add it as a kind of sequel to this...
I love how much detail you put into this! The symbolism of the statues and their destruction was particularly affecting, and I enjoyed the note of Isildur's nickname's real-life inspiration.
Comments on A Game of Risk
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.