Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was awesome! What an exciting story! I loved everything about it--Isildur's characterization and his exhilaration in the hunt rings particularly true--but I would like to especially comment on two thingd: 1) I had never given thought to distance before, and seeing now what this whole operation must have taken has brought a new appreciation and awe to me; 2) This may not have been what you intended, but your descriptions of the statues brought to mind the decline of greek civilization as reflected in their art, but also roman imitation of greek art which was, though to all purposes, still magnificent, did not quite measure up to classical standards, and I thought that worked in so many levels for this particular time period. All in all, I just loved this storyand am adding it to my favorites :-)
The distance between Armenelos and Rómenna is not actually all that bad - a day's brisk journey for a good walker, and a relaxed day's ride with a good horse -but Isildur is not currently up to a hard walk or a swift ride, especially as he can only move under cover of darkness, so I supposed it'd take him a bit longer.
Concerning the statues, the decline of Ancient Greek art (or "decadentisation" as my mom calls it) was exactly what I had in mind, so I'm exstatic that you picked up on that!
This is a really gripping account! The opening is very striking and I love the amount of detail you include; it makes everything seem very realistic. All the way through I was very conscious of the risks, both in the short term (getting run through by a guard) and possibly in the long term (being captured, implications for the family). The transition from imagined dangers, as Isildur approached the tree, to very real dangers, as the guards became aware of him, was excellent. Thank you!
I have to admit that I was at first rather unhappy with this story because it felt so utterly un-original, like a mere re-telling of the respective paragraph in the <i>Silmarillion</i> rather than something new. I'd actually meant to write a rather more controversial story, but that somehow didn't want to get written, so in the end I wrote this instead, and while I thought it was an ok-ish story, I wasn't happy with it at all. Of course, now I've been working on the controversial bit for a week, and it's turning out rather unsatisfying, so I'm glad I have this here written. And if I ever manage to get the other story written after all, I can always add it as a kind of sequel to this...
I love how much detail you put into this! The symbolism of the statues and their destruction was particularly affecting, and I enjoyed the note of Isildur's nickname's real-life inspiration.
Comments on A Game of Risk
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.