Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Have you ever wondered what would happen if the characters in The Silmarillion were smoooooth like they were sippin' a Sex on the Beach on a party barge in the harbor at Alqualondë? The "Yacht Rock Silmarillion" retells The Silmarillion as though the characters all had perms…
"Move farther north," Caranthir says to her a month after the attack, gaze steady on her even as his hands continue briskly gutting fish. "There is plenty of land closer to my fortress, and my people can help protect yours if there is another attack."
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
Data from the 2025 Tolkien Fanfiction Survey shows demographic changes in participant gender, age, and education and new revelations about neurodiversity.
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This was awesome! What an exciting story! I loved everything about it--Isildur's characterization and his exhilaration in the hunt rings particularly true--but I would like to especially comment on two thingd: 1) I had never given thought to distance before, and seeing now what this whole operation must have taken has brought a new appreciation and awe to me; 2) This may not have been what you intended, but your descriptions of the statues brought to mind the decline of greek civilization as reflected in their art, but also roman imitation of greek art which was, though to all purposes, still magnificent, did not quite measure up to classical standards, and I thought that worked in so many levels for this particular time period. All in all, I just loved this storyand am adding it to my favorites :-)
The distance between Armenelos and Rómenna is not actually all that bad - a day's brisk journey for a good walker, and a relaxed day's ride with a good horse -but Isildur is not currently up to a hard walk or a swift ride, especially as he can only move under cover of darkness, so I supposed it'd take him a bit longer.
Concerning the statues, the decline of Ancient Greek art (or "decadentisation" as my mom calls it) was exactly what I had in mind, so I'm exstatic that you picked up on that!
This is a really gripping account! The opening is very striking and I love the amount of detail you include; it makes everything seem very realistic. All the way through I was very conscious of the risks, both in the short term (getting run through by a guard) and possibly in the long term (being captured, implications for the family). The transition from imagined dangers, as Isildur approached the tree, to very real dangers, as the guards became aware of him, was excellent. Thank you!
I have to admit that I was at first rather unhappy with this story because it felt so utterly un-original, like a mere re-telling of the respective paragraph in the <i>Silmarillion</i> rather than something new. I'd actually meant to write a rather more controversial story, but that somehow didn't want to get written, so in the end I wrote this instead, and while I thought it was an ok-ish story, I wasn't happy with it at all. Of course, now I've been working on the controversial bit for a week, and it's turning out rather unsatisfying, so I'm glad I have this here written. And if I ever manage to get the other story written after all, I can always add it as a kind of sequel to this...
I love how much detail you put into this! The symbolism of the statues and their destruction was particularly affecting, and I enjoyed the note of Isildur's nickname's real-life inspiration.
Comments on A Game of Risk
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.