Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Hilarious! I love the spread of fates in this, the various sons all off leading different lives; the rivalry and family tensions carried over into the future; and Feanor a great engineer, always after the Silmaril, but then -- what? Well, he'll do something with it, probably... Thank you!
Thanx for the review, Clodia. I had a lot of fun with this; Feanor's voice sounded very clear to me for once. I do wonder though, if Feanor does eventually seize the Silmaril, will he find that having is as sweet as wanting, particularly after what the Jewel has cost him?
This garnered a major thumb's up from me when I saw it in its earlier draft, and my enjoyment is sustained in this final version. Raksha, I expect you and I are "of an age" and vividly remember the Apollo missions. This captures the excitement of the times and then "Tolkienizes" it. It's a good example of the so-called "alternate universe" genre, which to succeed requires a good knowledge of the texts (The Silmarillion, HoMe, etc.) I'd be inclined to call this an "alternate history" because it surely still has the feel of Tolkien's universe.
Fëanor's character comes through so well here. it's very satisfying to think of his role in the Apollo missions and for the purpose of...retrieving his Silmaril! The nod to careers of Curufin and Maglor are great. The fifth Beatle! Yëah, yëah, yëah!
And driving away in that custon El Dorado? I don't know how much more in character one could get with "Dr. Feurstein." :^D
I can still remember where I was when Neil Armstrong walked on the moon; how exciting it all was. And think how much more exciting it was for someone who actually worked on the space flight...While Feanor did join the space program engineers to further his grand design of getting back the Jewel, I think he would have found the work very satisfying.
I see Curufin as very much a junior Feanor in terms of ability and work ethic, perhaps with less imagination than his father; very much a good son. Maglor's a slave to music; and eventually got tired of lamenting on the seashore; though I expect he still has melancholy spells.
Thanx again for your help with the beta and scientific proofing, Pandemonium; I'm still thrilled that the story passed muster with you, since I definitely do not have a scientific mind.
I love this story, which says something as I don't like Feanor and rarely read Simarillion stories! It just feels so plausible that he would keep on inventing if he lived. I also loved the idea of his son as a Beatle!
Feanor is not one of my favorite elves; but he was certainly a prime mover of events. I didn't really take an interest in him until I saw Maeglin's birthday challenge - Feanor Lives - and had a vision of Feanor with sunglasses and a flashy red car watching the Apollo 11 take-off...I think for Feanor, inventing or perfecting, the craft of making things, was as important to him as breathing; he was a far better artisan than he was a king.
Thanx, Steel; the Spirit of Fire was a lot more fun to write in the 20th century than (for me) in the Age of the Trees; I found him more accessible. Glad you liked the piece.
What a lovely story! Feanor will always be himself, no? his long term agenda has hardly changed over the millenia. The idea of gifting the recovered Silmaril to Yavanna is quite great as his choice of car. You convery very vividly the pleasure of the craftsman at the accomplished task and, of course, he does not need to take the credit for himself. Also very much in character his memories of Nerdanel and having Curufin working with the Russian space project.
Maglor as the fifth Beatle, of course. I always imagined that there had to be something more with the Beatles. Now I realize what it was
Thanks for reading and reviewing, Angelica. I have never written Feanor before; he is certainly a complex character; and the idea of his surviving (AU that it is) and thriving in this very high-tech modern time was appealing. He just might return the Silmaril to Yavanna; a lot would depend on the circumstances of his acquiring it, I suspect.
Maglor just had to be the fifth Beatle; he wanted some fun after all those years of suffering and lamenting.
This is a great story. I never read it before. It must be one of the things I missed during the various periods I was short a functioning computer. I like the concept very much. Feanor fits perfectly.
Thanx for reviewing, Oshun - I'm glad that you enjoyed the story. I had a blast writing the piece. Feanor's quite a piece of work and for once, his state of mind was visible and accessible to me.
Comments on Riding the Fire
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.