New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
[Writing] The Second Music by Hilya Lórienva
The story diverges from canon at the beginning of the Second Age (SA 600). In this alternate timeline, Sauron does not adopt the guise of Annatar to deceive the Elves of Eregion. Instead, he pursues a different path of dominion - one that threatens the very foundations of Arda itself.
[Writing] Funeral Dirge by Artano
Two Dwarves mourn the loss of their lord after the Ninraeth Arnoediad.
[Writing] She who holds a Circa by vigil_ardensole
She is one and many, the heroine and the victim, the courageous and the victim, the dead and the living, her feelings and sufferings are felt and shared together, and no justice, divine or earthly could mend her pain in the aftermath.
[Writing] Systems in place by daughterofshadows
Tuor arrives in Gondolin and admires the gardens.
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
Scavenger Hunt
Solves clues to find your prompts for this Matryoshka challenge. Read more ...
You Can't Go Home Again
What would happen if one of Tolkien's characters returned to a beloved home after a long absence? Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
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Comment by Himring for Galadriel
This Galadriel bio is an impressive achievement, and I'm now very much looking forward to the Celeborn bio that will complement and complete it!
What impressed me most about this first part was your pointing out the contrasting behaviour of Melian and Galadriel in that confrontation. You are quite right! But I hadn't sufficiently noticed before.
Re: Comment by Himring for Galadriel
You are really kind! I am so glad that you liked it. It needs Celeborn to finish it off. All of my notes, which I had been collecting randomly for ages were not divided out! Then I sort arbitrarily decided which parts to save for Celeborn, because Galadriel had so much by comparison.
I enjoyed thinking about Melian and Galadriel. I've always found them a fascinating pair. They have a lot in common, but some significant differences.
Thanks so much for reading and commenting!
Comment by Lyra for Galadriel, Part 2
Wow, you've managed to bring all (or a lot of) the material about Galadriel in a readable and comprehensible order. That's no small feat! Whenever I've tried to look up the development of Galadriel's character, I've despaired over the many different places where you have to look - and the conflicting accounts, too. For someone who was added to the Legendarium pretty late, Galadriel has certainly generated a heap of material. Kudos to you for bringing it all together! This bio will be immensely useful in the future, sparing me the headache of trying to figure out where to go looking for what. Thank you so much!
I especially liked your elucidations of the saintly and not-so-saintly, typically feminine and decidedly un-feminine aspects of Galadriel's personality, and occasionally squealed in delight at your tongue-in-cheek commentary! I also found it fascinating how you worked out the differences between Melian's more passive/defensive use of "magic" and mind-reading while Galadriel is a lot more proactive. Even if she doesn't dig through people's memory but only watches their mental reaction to a very specific hypothetical scenario, that's still pretty intrusive... (But then, her match-making might be considered somewhat intrusive as well, at least from Elrond's POV). Shows that while she has certainly learned a lot and grown (maybe?) less proud through the ages, there's still quite a bit of that competitive, impetuous Noldorin princess in her, and she's certainly not the long-suffering Virgin Mary that some critics (and Tolkien in some of his letters) see in her. Which makes her all the more interesting, as far as I'm concerned!
One tiny question - IIRC, Merry and Pippin don't receive their daggers in Lothlórien, but much earlier in the wight-barrow from Tom Bombadil? I think this may have been different in the movies, since they cut out jolly old Tom, but I seem to remember that the daggers were of Dúnedain origin, not Elvish.
Not that it matters much! Again, thank you so much for this highly helpful biography, and congratulations on getting it finished!
Re: Comment by Lyra for Galadriel, Part 2
I am mortified with embarrassment! You are so right about the daggers. I searched for the citation I used again and see that I apparently got lost in my giant one-volume e-book copy of LotR. (One too many gift-giving scenes for me at that point in my rush to the finish line.)
"For each of the hobbits he [Tom! not Galadriel] chose a dagger, long, leaf-shaped, and keen, of marvellous workmanship, damasked with serpent-forms in red and gold. They gleamed as he drew them from their black sheaths, wrought of some strange metal, light and strong, and set with many fiery stones." ["Fog on the Barrow Downs," Tolkien, J.R.R.. The Lord of the Rings: One Volume (pp. 145-146). Houghton Mifflin Harcourt. Kindle Edition.] It goes on to note that they are Numenorean in origin.
Thanks so much for noticing and letting me know. I will try to get Dawn to make a correction in the text, so some other poor lost soul doesn't use my reference as a good cite. (I did not use the movie for any references; although I did write some parts from memory while trying to fact-check and find a cite for everything I used! Embarrassed all over again! I'll get over myself eventually!)
I hope to finish the Celeborn bio this month or soon thereafter and go over in a briefer and hopefully more straightforward manner the origins of the different versions of the story of Galadriel and Celeborn without repeating myself much.
Thank you for reading it all! I have been wringing my hands over the fact that in nearly two months since we first posted part 1 of this, yours is the first comment I received. I have been wondering if it was much too long. (Although I skipped over a lot! One could write a book about Galadriel.)
Tolkien contradicts himself various times over whether she was sometimes naughty or always very nice! I think if he would have sought to re-write to include always blameless version the re-write would have encompassed too much and he probably would have abandoned it. Someone in the SWG should write a Meta of "Galadriel's Lament" song/poem which I did not cover because I found so many conflicting interpretations of that and I was simply running out of time and space. Long as the bio is--it is certainly not definitive!
I'd read a film vs. book account myself, but not gonna write one!
Thanks for the comment and correction. And thanks for reading it!
Comment by Himring for Galadriel, Part 2
I really enjoyed the second part, how you've selected quotations, brought in scholarship with a light touch, arranged material and also your personal asides!
Re: Comment by Himring for Galadriel, Part 2
Thanks again! I appreciate that you stuck through it to the end. (I felt a little guilty about making it so long.) Galadriel is interesting in The Silmarillion, but really IMPORTANT in LotR. Well, personally, she is important to me everywhere. I've always found her the most interesting female character aside from Nerdanel--now I have Tolkien rolling in his grave again! I'm supposed to think it is Luthien!
Comment by Grundy for Galadriel, Part 2
My goodness, Oshun! What a bio - no wonder it had to be split into two parts. There's so much in here I barely know where to start. (No, actually I do - I love that you included the Eomer-Gimli 'feud'. It's one of my favorite bits in Lord of the Rings.) I'm quite impressed you've managed to structure the bio so well, since there is so much Galadriel material scattered here and there throughout many books. *applauds*
Re: Comment by Grundy for Galadriel, Part 2
Thanks so much! I have to admit I enjoyed the research and re-reading those parts of LotR with a purpose, but writing it was hard (one of the hardest and certainly the longest). I could have used a little more time, but, hey, I never allow myself that. I am never going to finish one before the last possible moment--that's how I roll! I always thought that Eomer-Gimli stuff was a great addition. I love the way Tolkien did that. It did seem a bit lighthearted and fun. And actually one of the very few references to Arwen in the texts, lovely added characterization of Eomer and reinforcement of Gimli being Gimli.
I am so happy that you liked it and took the time to tell me! I am thrilled at every comment on this one because I was afraid only the most stalwart could make it through something that long. It could have been longer, but I made myself stop. Thanks again!