Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I must confess, I've been writing this piece on the assumption that it would probably only amuse me, so I will be immensely pleased if it entertains you! Celeborn's pompousness was borrowed from the style of the preface to Mrs Jeffrey's journal, which I used as a model for this piece, but I think it's safe to say that he's not particularly pleased about being turned into a Telerin prince -- and I won't tell you why Galadriel couldn't comment, because that would be a bit too much of a spoiler, but maybe it will become clear over the course of the story. If not, I have another short story in mind to go with it that should explain everything.
You're absolutely right, in any case: there's a great deal carefully not being said at this point, and I'm very glad you picked up on it. And I do hope the rest of the story doesn't disappoint! :D
This is hilarious! I'm so excited to see where this goes. I love the idea of presenting Tolkien's alternate histories as fictional accounts created within the world. What a creative way to reconcile the different versions! The style is perfect; it fits so well in 19th century prose. And Celeborn's reaction to being called "Teleporno" is brilliant :-). I can't wait to see the editorial comments on this record. Thank you for making me smile!
And thank YOU for making me smile! I must confess, I've been writing this piece on the assumption that it would probably only amuse me, so I will be immensely pleased if it entertains you! I'm an ancient historian by day, so I'm very much used to dealing with wildly varying accounts of events -- when the issue of Galadriel's various histories came up in conversation with friends, this struck me almost immediately as the best way to write a story about the most extreme UT version of Galadriel, while still maintaining the Silmarillion version as canon. I do hope the rest of the piece doesn't disappoint!
(P.S. Who can blame Celeborn for being a little annoyed? Teleporno is a truly *awful* name. :'D)
Oh, the commentaries live up to what I'd hoped! I love their attitude: "an obvious exaggeration," "wholly unnecessary." Perfect! And I'm very glad they didn't let this unknown author get away with slandering the Silvan elves like that. "Fearful hesitance," indeed! Thank you for pointing out their perfectly valid reasons for making their choices.
You reassure me tremendously! This is barely a beginning, though, I know; I hope you enjoy the rest of it as well. Again, thank you so much for reading and commenting!
Your review makes me so happy! I'm very glad you liked this 'taster' (I promise that the next chapters will be more substantial) -- exaggerations, inaccuracies, hidden agendas: all exactly what I wanted to be read there. Thank you so much for reading and commenting!
After much research, I found out who the anonymous author of this journal actually is.
I know you'd be surprised to learn that such an extensive research resulted in such simple outcome, but here it is:
The author of this journal is Mary Sue.
And to justify this claim, look closely at how the skills learned by Galadriel are described. Those same questionable in notes #3, 4, and the preceding lines. I think you'll come to agree with this hard worked conclusion. (wink).
As before, I love this story.
I must admit to being quite annoyed with the journal part, but I read it carefully for the "editorial comments" later.
Just great. Thank you.
Oh, a small thing:
"King Olwë, my mother’s brother"
In the Silmarillion it is stated:
"Finarfin was the fairest, ..., and had to wife Eärwen, ..., Olwë's daughter."
Ahaha, I can see how you could come to that conclusion! Did you notice Galadriel's Really Shiny Hair (TM)? All in the UT, I assure you. :D Which is one reason why this story exists at all: I was talking to a couple of friends, quite a long time ago now, about how the UT versions bleed all the interesting shadows out of Galadriel and replace them with generic Shinyness and Wonder, which annoyed me, and so Alatariel the Missionary came to be... and yes, she is rather irritating, isn't she? Which is quite deliberate, and amuses me, but I can see how it would be a little aggravating to read. I'm glad the critical notes make up for it!
Also, thank you so much for picking up Olwe -- THAT inaccuracy was totally unintentional and rather embarrassing, and I've scampered round correcting it. I'll have to blame it on a momentary lapse of attention. Many thanks!
This is so much fun! I love the anachronisms - yes, why would the author assume that there would be any songs/stories/poems about war in Valinor at the time? The editors have pretty good explanation :-). I have to laugh at Alatariel's unwavering perfection and superiority, and then at the editors' responses. It's great.
It's great to hear you're enjoying the story and I'm so glad you're laughing! (So much fun to build in anachronisms. Seriously, it is *great* to be writing this sort of material for a change, instead of reading and analysing it. :D) Thanks for reading, as ever, and for such a lovely comment!
Comments on The Journal of Alatáriel, Missionary
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.