Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh this is wonderful so far! So much to love about this. I'll be reading it in small portions because my concentration is low lately. But I wanted to let you know that I was intruiged by this and am loving what I am reading! Very well done!
Ooooh... very good! *** Spoilers *** The opening desolation brought by the wave was something I had never considered. The first contact between Elrond and his brother's descendants was most realistic, with mistrust and miscommunication. And the "touch" through the Palantir was beautifully done to tilt the scales. A truly beautiful story..
Thanks so much Russandol. I can't help but think this would have been the situation when Elendil and the Numenoreans first showed up asking for help from Gil-galad, unless they were communicating ahead of time which is canonically possible and could merit a different story in which they are welcomed with open arms. *g* So glad you enjoyed it. And I'm now back to working on Elegy!
This is absolutely fabulous. More than up to your usual standards. The tsunami following Numenor was something that had occurred to me, but I had not the imagination to follow up on it. I adored the characterization and flow of the story. The tone and description perfect as usual. It hit it out of the ballpark. You are so consistent! Congratulations on another terrific story!
Hiya Grey! I'm impressed with your detective skills in tracking down this story. I'm glad you enjoyed my characterization of Elrond. Thanks for commenting!
I don't think I've ever read a story that so accurately describes how it feels to be abandonded by someone you love and thought loved you. To have it come from a twin, one you've survived so much with? Ugh. Elrond's reactions are exactly what I'd think, given how young he was and how tumultuous his life had been. He's not the serene elf-lord we see in LotR. And the tsunami was perfect. All that destruction. It's heart-breaking. I love the bird too! It kind of reflected that Elrond still had hope, even if he was bitter and heart-broken still. Loved the brothers and Elros' last gift to his brother. Elendil was wonderful, dignified, confounded and confronted by what his people would think of as legend. He handled it so well! I really enjoyed your take on him. I know this is an old story but it was new to me. So well done!
Glad to hear that you felt the emotions rang true in this story. There have, of course, been many fannish views of Elrond and Elros' choice, but I hadn't seen any that showed the long-term effect on Elrond (although I'm sure they're out there). I did view his personality differently here than is often portrayed, but I like to think this incident helped him work through his grief and become more seasoned and thoughtful as a result. The skylark as a symbol wasn't planned but rather something that just happened in the writing process; I'm glad it worked out well. I like your take on it that it showed Elrond still had hope. Thank you so much for such lovely comments. As you know, it's always a boost to get a review, especially one as thoughtful as this, even long after a story has been published. :-D
This was a feast for the senses and the mind! The way you construct the characters and the parallel relationships between Elrond and Elros and between Elrond and Elendil is wonderful, but I am sucker for evocative description and this has so much. And not just for the sake of describing - it all contributes to the mood of the piece.
Especially love the ways you describe sound, e.g.: “pulling his sword with a snarl of steel.” “The cries of gulls and soft shush of waves sounded in the distance”. It's subtle, but the way you use language in these descriptions feels fresh and innovative.
And smell: “Elrond could smell the lemony musk of him, familiar from the many nights when they were children lying close, wrapped in each others' embrace, knowing that together they were invincible.” Recognising the scent of someone long gone and the way that makes memory so immediate. The way you've described its emotional impact on Elrond is masterful. Then how he recalls this later in the vision sequence!
I am in love with this description of the (half-)elven relationship with time: “He paused, aware of the transience of that moment, one pinprick in the vastness of time. Yet it weighed heavily. When they had eternity to live, what did one moment matter? Now time appeared as an enemy, striding armored from the mist.”
And while it's not a central relationship in this story, this moment of insight into Elrond's relationship (or lack thereof) with Eärendil is so moving: "For a long time, he stood immobile, listening to the waves strive and hiss. Stars wheeled overhead, cold, implacable in their black vault. He saw his father sailing aloft, the white gem burning on his brow, remote, inaccessible. Did Eärendil regret his choice? Did he wonder what had happened to his sons? If they were safe? If they were happy? Collapsing onto his knees, he folded over, wracked with sobs. His face pressed into the cold sand, forming there a mask of anguish.”
Having recently tackled the writing of visions/dreams and how to make something so abstract an impactful contribution to the relationships and plot, I have extra appreciation for how you did this. It is a perfect climactic moment to the story and Elrond's transformation because of it makes absolute sense.
Very glad to have read this! Thank you for submitting it for the bookclub.
Hi polutropos, I finally have a minute while the turkey is roasting and just want to thank you so much for such a generous comment. I do try to imagine my scenes fully, including smells, sounds, tastes, etc. It helps me to try to visualize my settings, something that doesn't come naturally to me. I've always been intrigued by how evocative music and sound can be. Something you do well in your stories. You've picked out some of my fav passages too, as sad and angsty as they are. The vision Elrond has in the palantir, as you say, was important in fully convincing him to embrace his distant kinsman, and in that way embrace and honor his brother. Thanks again for your lovely feedback!
Comments on Touch of a Vanished Hand
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.