Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Gates of Summer
Create a fanwork based on prompts about summer taken from Tolkien's life, canon events, and quotes from his letters and stories. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you so much for this! I enjoyed everything about this - your richly coloured imagery, your tone, your analogy that so clearly highlights the very valid nature of derivative works, and the fitting reference to Williams. Lovely!
(As an artist who has at times had to have a reassuring talk with the somewhat extreme side of me that suggests I'm not creating original work because I've been inspired by the work of others—and as a knitter—this really hit home. Now I'll just say "Remember, yarn." whenever doubt sets in.)
Thank you very much! I'm happy that my approach to the subject worked for you!
And it is good to hear that yarn as a metaphor spoke to you, personally.
Or, possibly, not exactly good, as I'm sorry that you have an extreme critic in your head, too, apparently!
But I had wondered whether I was carrying coals to Newcastle, posting a defence of fan creations to a fanworks archive, and it seems I am not the only one who can still use a reminder to self, sometimes.
I think perhaps it's often more a case of an eternal battle with embedded internalised external critics (that seem to have a tendency to leak from one area of one's emotional life to another), especially having received derisory judgements at a developmental stage, (whether that's childhood or beginning a new craft), and which are frequently reinforced by other people, usually those who are ignorant of the full picture or refuse to acknowledge that there's more to it than suits them. So it's never a surplus to express supportive backing that reinforces the reprogramming of a healthier viewpoint.
(Urgh, that's a mouthful and a half and could be expressed way more attractively, but it's bath time (aka TRSB reading catchup time, yay!) and it gets the message across, so it's staying as is.)
Thank you very much! I'm happy that my approach to the subject worked for you!
And it is good to hear that yarn as a metaphor spoke to you, personally.
Or, possibly, not exactly good, as I'm sorry that you have an extreme critic in your head, too, apparently!
But I had wondered whether I was carrying coals to Newcastle, posting a defence of fan creations to a fanworks archive, and it seems I am not the only one who can still use a reminder to self, sometimes.
[ETA: Apologies, you may be getting this twice, but looking at this on the site, I am not sure my reply has threaded as I had intended, so I am trying again.]
The yarn metaphor was suggested by the prompt, of course, but the fact that the word has more than one meaning in English seemed to work well, and I'm glad you agree!
Somehow I didn't realise when I read the ballad on AO3 that it is connected to the advice letter. Love them both - for the defence of fanfic and the music it started off in my head.
Oh, I didn't expect any reader on AO3 to see any connection, or anyone really, unless I had explained it to them!
And the "walking song" is very much meant to be about storytelling more generally rather than fanfiction specifically, even though in both pieces one story to leads to another.
Comments on This is just to say…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.