Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Fantastic work, Lyra! You addressed the theme beautifully, and for me, this poignant, painful and awkward meeting rings with authenticity. Eärendil's narrative is executed in a most satisfying way!
Aw, thank you very much! I blame this entirely on B2MeM - I chose to play Eärendil because my usual characters tend to be rather angsty, and what happened? I discovered Eärendil\'s angsty side... ;) Glad you enjoyed it!
So I decided to read this tonight because I can't sleep, and now I'm curled up in bed getting teary because this meeting is so painful and so real. Excellent, excellent story.
I think he does. He observes that they behave like "Mortals or Feanorians" in leaving their weapons, and although he feels that they qualify as neither, "not really", he is aware that in some ways, they are both (half-)mortal and (raised) Feanorian. I was also trying to allude to their Feanorian upbringing with my cumbersome description of their assymetrical cloaks, covering their right shoulder (and thus, their right arms). I probably didn't make a very good job of it, but in my 'verse, this is a typically Feanorian thing - a fashionable show of solidarity with Maedhros ("Our leader can't use his right hand, so we hide ours, too"). It's distantly inspired by the Renaissance mantella, only reversed, and as a long cloak rather than a cape. Although Elrond and Elros are no longer among the Feanorians at this point in the story, they continue to wear their cloaks "Feanorian-style", possibly as an act of rebellion or a covert vote of confidence. I am not sure Eärendil picks up on that, however, although he does pick up on the strangeness of the cloak. But anyway, yes, he knows, and when he assumes that they "called another man their father", he means Maglor.
I think they have come to understand - or at least accept - their parents' decisions at that point. And neither of them strike me as cruel people. Eärendil's fate, meanwhile, is a lot crueller than it may at first appear! Thank you for liking and letting me know!
Comments on Lives Apart
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.