Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
elennalore has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Plot, Setting, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.
Oh! This switch is so vividly plausible. The power of light containing such force to corrupt Varda—she'd become a black hole eventually I guess, devouring the whole of Eä. A beautiful, and formidable, and extremely powerful adversary. And Mairon and Melkor and Manwë all working together just feels so good!
(And as I read this, I laughed at the amazing serendipity that the illustration I made today could have been an illustration for your fic! I had a different prompt ("The Valar cannot undo history without undoing Ea"), but it was Varda who told me she felt like messing around with light and time and space: https://www.silmarillionwritersguild.org/node/5098. If you'd like it, I'd like to gift it to you for this.)
Thank you! Good thing you liked Manwë, Melkor and Mairon co-operating! And I agree - your amazing art piece could well have been illustration for this ficlet! I’m still amazed by the coincidence of choosing Varda for both of our prompts. But she’s such a powerful being. You’re too kind, but I wouldn’t say no to a gift :)
The idea that Varda wants only her stars to be giving off light is quite brilliant (literally I guess....). So many interesting possible pathways could come from this. She wants to be in control.
I thought Mairon noticing Melkor's pain very poignant, as was the brothers Manwë and Melkor working together.
The soundtrack in my head for Varda destroying the lamps is the Queen of the Night's aria "Der Hölle Rache" in the Mozart opera The Magic Flute of course.
The song that jumped in at the end of your story however was The Beatles' "Here Comes the Sun".
Thank you for you comment! Yes, this was an interesting AU to write. My favourite part to write was Melkor and Manwë working together, I'm happy it shows. Thank you for the soundtrack ideas! :)
Comments on Radiance
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
elennalore has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Plot, Setting, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.