Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
daughterofshadows and Idrils Scribe, and Grundy has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.
I also didn't know about woodland poppies! I'd seen the European variety (which is slightly bigger) around, but I hadn't realised they were also poppies!
And yes, the foreshadowing is never far away with Túrin...
A sunny view indeed. Enjoy it while you can, little Túrin!
(And I'd never heard of the yellow wood poppies so I did a search—how absolutely gorgeous! I can see them as a field of sunlight lying on the forest floor, back in the virgin days before Men mucked around with the environment.)
They are very pretty! I quite like seeing them around at home during the summer (although those aren't strictly speaking woodland poppies, but a slightly larger relative)
I like the way you contrast their differing experiences of the same place, Nellas' grief for her lost beeches being expressed as loathing of the wild sea and too-bright sun, while Elwing is delighted and excited with the beach, and being able to speak with these new birds too. And with that unconscious magical ability little people have, she pulls Nellas with her into her mood. We get so caught up in the Matters of Great Import that we forget life is also made up of little moments like these.
I enjoyed the mood in this, and your subtle connection with Elwing through the gulls. It also led me to your earlier fic Et Eärello when Anorië leaves Elenna, so it was lovely to have that added background, knowing Elrond's presence on the beach is extra special to her.
I've meant to revisit Anorië for a while, and to my surprise, when thinking about the Sea and Elwing, she was the first one who came to mind. (Elrond was a polite but firm second.)
Comments on Pack the Parcel
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
daughterofshadows and Idrils Scribe, and Grundy has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.