Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Soap Opera
Create a fanwork using our prompt generator that includes stock characters, common plot scenarios, settings, and episode types that are frequently featured in soap operas. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
That is what I felt! I've read so many times of Elves having family waiting for them right upon landing (and written such scenes occasionally), so I liked the idea of giving that to Shadowfax, too. (Or like Gimli meeting Mahal, I suppose!)
Technically, it's not confirmed that the Mearas descend from Nahar, admittedly!
It's so lovely to read these horses as full characters in their own right, and the people's vicarious joy in their meeting. Gives me a feel of the sacred cows of the Hindus. And I like the first person view, with the mystery of just who the narrator is.
People make jokes about Tolkien giving the name of more horses than women, but I think that's not just about Tolkien's treatment of women, but also about his attitude to horses, Shadowfax especially. So I feel there is some canonical precedent!
Oh, what an absolute joy! Like Grundy, I love that Shadowfax has family there to greet him too, and there is such a sense of joy about their meeting - like it should all be wreathed in that white-gold light that frames the characters in the Havens at the end of the film. Gorgeous.
Thank you very much! That is so very kind of you and I am glad I was able to convey that sense of joy!
As for the narrator, how about this:
The narrator is a Silvan. She is one of the Nandor that first settled in Lasgalen and, with her people, she once roamed the northern vale of the Anduin with feathers in her hair. She saw Orome come riding over the mountains on Nahar to hunt the monsters of Melkor’s making. Maybe it was a cousin of hers who made a painting of the Hunt in a cave in the foothills of the Hithaeglir. She herself befriended the first of the Mearas and spoke with them. The Men of Rhovanion, in the Second Age, called her Marhlubo, because she loved horses and they loved her.
At the time of the Last Alliance, she came south with Oropher to fight, but she was terribly wounded in the war. Her life was saved by Elrond, but it had been a hard struggle, her healing, and it was for that reason that she did not return northward with Thranduil, but eventually followed Elrond to Imladris and became the chief of his horse herders. She spent many evenings in the Hall of Fire, listening to the tales about Valinor and Beleriand that the Noldor and Sindar told and telling her own stories in exchange. When Elrond departed Rivendell, she decided to go with him, together with other Elves of Elrond’s household.
Oh! You're full of surprises! I hadn't pictured the narrator being an OC, but I absolutely love this! All the little details that tie in, her implied fondness for Shadowfax and shared joy at being reacquainted with Nahar, her connection to Elrond, reason for sailing. And this: "...because she loved horses and they loved her." And her cousin's cave painting brings Lascaux to mind.
I'm truly in awe, not only of how much you say with so little, but how beautifully you do it.
This story is written in a way that is beautiful and poetic. I love the atmosphere, and also that it is told as an eyewitness' report, which makes it sound so authentic.
Comments on The Hunter's Horse
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.