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This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
After wandering through the forests of Oromë, Maitimo and Makalaurë discover a quiet clearing, stopping to rest. With lyre in hand, the private audience begins— for this song, Makalaurë will only allow his brother to hear.
When uneasy dreams bring him back into Beleriand, Daeron finds a pair of twins who have lost their home, and an enemy who has lost himself. The Shadow's reach is growing ever longer, and if they are to survive, they must do it together.
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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That is what I felt! I've read so many times of Elves having family waiting for them right upon landing (and written such scenes occasionally), so I liked the idea of giving that to Shadowfax, too. (Or like Gimli meeting Mahal, I suppose!)
Technically, it's not confirmed that the Mearas descend from Nahar, admittedly!
It's so lovely to read these horses as full characters in their own right, and the people's vicarious joy in their meeting. Gives me a feel of the sacred cows of the Hindus. And I like the first person view, with the mystery of just who the narrator is.
People make jokes about Tolkien giving the name of more horses than women, but I think that's not just about Tolkien's treatment of women, but also about his attitude to horses, Shadowfax especially. So I feel there is some canonical precedent!
Oh, what an absolute joy! Like Grundy, I love that Shadowfax has family there to greet him too, and there is such a sense of joy about their meeting - like it should all be wreathed in that white-gold light that frames the characters in the Havens at the end of the film. Gorgeous.
Thank you very much! That is so very kind of you and I am glad I was able to convey that sense of joy!
As for the narrator, how about this:
The narrator is a Silvan. She is one of the Nandor that first settled in Lasgalen and, with her people, she once roamed the northern vale of the Anduin with feathers in her hair. She saw Orome come riding over the mountains on Nahar to hunt the monsters of Melkor’s making. Maybe it was a cousin of hers who made a painting of the Hunt in a cave in the foothills of the Hithaeglir. She herself befriended the first of the Mearas and spoke with them. The Men of Rhovanion, in the Second Age, called her Marhlubo, because she loved horses and they loved her.
At the time of the Last Alliance, she came south with Oropher to fight, but she was terribly wounded in the war. Her life was saved by Elrond, but it had been a hard struggle, her healing, and it was for that reason that she did not return northward with Thranduil, but eventually followed Elrond to Imladris and became the chief of his horse herders. She spent many evenings in the Hall of Fire, listening to the tales about Valinor and Beleriand that the Noldor and Sindar told and telling her own stories in exchange. When Elrond departed Rivendell, she decided to go with him, together with other Elves of Elrond’s household.
Oh! You're full of surprises! I hadn't pictured the narrator being an OC, but I absolutely love this! All the little details that tie in, her implied fondness for Shadowfax and shared joy at being reacquainted with Nahar, her connection to Elrond, reason for sailing. And this: "...because she loved horses and they loved her." And her cousin's cave painting brings Lascaux to mind.
I'm truly in awe, not only of how much you say with so little, but how beautifully you do it.
This story is written in a way that is beautiful and poetic. I love the atmosphere, and also that it is told as an eyewitness' report, which makes it sound so authentic.
Comments on The Hunter's Horse
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.