New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
"The Fëanorian Zine" Available to Read and Download
We are pleased to be able to offer "The Fëanorian Zine" to read and download on the SWG for free.
Call for Artists for the 2026 Challenge Stamps
We are soliciting help from artists who want to help create the stamps we award to challenge participants.
[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Kings & Queens
Create a fanwork about a king or queen from the legendarium. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
This is a terrific concept. Very enjoyable story. Like the Fingon you created very much. Of course, I can't help but wonder what he will think he finds out that Maedhros did not leave him behind without protest.
Thank you! I do wonder what he will think (note that I sneakily left everything after finding Maedhros out here ;)), but moreover I wonder who is going to tell him. Not Maedhros himself, I think, who is too stubborn and proud and maybe noble, too, to say something along those lines ("Well I DID try to get you, you know, it's all Father's fault!"). So I suppose one of the other brothers, or maybe a random servant or warrior, would have to tell the tale. Tricky, tricky! - Which is one of the reasons why in my longer Fingon-rescues-Maedhros story, Fingon knows at least vaguely that Maedhros opposed the ship-burning. He is unaware of the details (such as Maedhros asking specifically for him ;) - he'll only get those by and by - but the big reveal, at least, no longer needs to be handled...
(Knowing Fingon as portrayed in this story, I suspect he'd actually feel guilty for having doubted that Maedhros had some loyalty in him. And then he'll be angry with himself for feeling guilty because, REALLY. ;))
What a re-birth-day present this song turned out to be, in the end! The discussion of "idolizing" is very neatly done, especially the bit where Findekano talks to Feanaro about the term. Is this meant to be fully compatible with The Tempered Steel? I was wondering whether I should be imagining the events covered in the first chapters of that story as having happened between Chapter Two and Three of this one.
Heh, interesting question! No, it isn't quite compabtible. In TTS, Findekáno knows when he sets off that Russandol at the very least opposed the ship-burning (though he may not yet know that Russandol was talking specifically about fetching him!), so his musings about betrayal and abandonment in Chapter 3 of this one wouldn't be entirely appropriate. While the knowledge does not (in my take on the plot) make a difference as far as Findekáno's quest is concerned (I think he would've gone either way - in fact, in this story he has gone anyway), it does change his outlook. Hence, in this story, all the self-berating, whereas in TTS he's just worried that he'll fail.
So the events of the first chapters of TTS don't happen quite like that in the backstory of this one. Of couse you can imagine that the first two chapters of this one happened somewhere in the undisclosed past, though ;)
Pasted my MEFA review:
You have woven a beautiful background story to one of the events in the Silmarillion that still makes me tearful even after almost 30 years and at least as many reads. The rescue of Maedhros by Fingon never fails to move me but until now I had not paused to think about the song that brought them together. The idea ot spinning Fingon's tale around his memories about that song is very effective to link the three separate scenes. I love how you've portrayed Fingon: his self-deprecating analysis, his youthful obsession to learn his cousin's favourite tune because he idolises him (that dicussion is brilliant, by the way), his clever observations about others (like Fëanor's devious smile), his later stand as the dutiful son against his true wishes. The final scene is particularly poignant, with the way he berates his stupidity in sync with his steps as he walks around with his harp to find an entrance to Angband (but not the front gate!) and the self-mockery about his family's trait of "being decent" that leads them all to trouble. The point at what you ended the story is perfect, though I wonder what the two of them would say about the song after the events. Really superb!
I loved this! You do a wonderful job portraying Fingon's stubbornness, and I really appreciate the hints we get about his relationship with Fingolfin. The way the meaning of the same song shifts from one chapter to the next is also really great!
Aww! I'm glad this story works for you, especially my characterisation of Fingon and his relationship with his father. Thank you for letting me know!
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Comments on A Minor Talent
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