Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I’ve been meaning to poke my nose into RAFA since meeting you during B2MeM. I’m glad I got the chance through this short piece, which makes me curious about what else is going on in your ‘verse. It seems the old debate about a woman choosing a career over a family is alive and kicking in Aman. And I like the use of Varda’s dome, that’s an angle I don’t see taken every day.
I'm glad you're reading it! The whole family versus career is definitely there, especially at this point. I'm glad you like the dome; it's something I couldn't not do! Enjoy the rest of the 'verse. :)
Yes, I'd say this is a sequel to Never Look Back (which I loved), and it's a very poignant one. I really like how you've captured Elrond's voice as a mature man compared with his younger voice in the earlier story, and how he has come to grips with his brother's choice, and then his daughter's. The last scene made my eyes misty.
Thank you! I honestly worried about that; I'd read the story so many times it felt flat to me. Your misty eyes are a definite mark in the "it wasn't" column. I'm glad Elrond's characterization(s) worked for you. Again, thank you so much!
I like their thoughts and dialogues about (im)mortality, and I especially like your Arwen. Tolkien and some fanfiction writers describe Arwen and other main female characters as beautiful, and that's all they say. Is that all that those women are? Pretty faces and nothing more? I really love how you describe Arwen - "a wonderful, strong, brilliant, beautiful, brave woman". Well done.
Thank you! Arwen's actually the character I identify with most-- I consider her equivalent to a military wife, and I'm a military brat. I'm used to waiting, and how hard that is. Add in the strength of character it took to forsake the culture she grew up in? I can't just ignore her, nor write her as anything but what you quoted. So I'm especially glad it rung true for you.
Heh. Students in love! I like it a lot! Very sweet scene, especially with my familiarlity with their reunion waaaay down the road in RAFA. It's poignant to see Narmincë and Makalaurë at this time before the burdens of their world crashed down on them.
Comments on Sparks
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.