Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Arda Underground
Take the dark back streets of one of Arda's cities, explore an unsigned tavern or hovel, and meet the people too insignificant or unsavory to make it into the history books. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I like the concept and how you did it, using a fact about volcanic soil and and turning it into this really neat episode with Aule and Yavanna's interaction!
Oh, this is just perfect! Such a lovely glimpse into their relationship, on a few levels — they're so often seen a bit in opposition between his Dwarves and her trees, so it's lovely seeing them work synergistically. I also like your description of flowing rock and bringing in the way Melkor’s destruction is once again brought into accord with the benificient theme of the Music
A beautiful and clever use of the prompt. (Which also appealed to me!)
Thank you so much! I really wanted to show Yavanna and Aule complimenting one another rather than opposing--I'm of the opinion that the incident with the dwarves vs trees is an exception in their relationship rather than the norm--and of course the richness of volcanic soil coming out of the destructive nature of an eruption is such a neat example of the Music turning from discord back to harmony.
And I must thank you for bringing attention to the prompt on the discord--I had completely missed it before!
Thank you! I tend to think Yavanna and Aule work together like this far more often than they oppose one another, and I'm glad you liked this instance of it!
Thank you so much! I'm surprised the Valar singing is so rare. They were part of the Ainulindale, it seems so natural to write them enacting their power through song.
....leading to creation and growth is a stunning way to repair Melkor's damage of Middle Earth. Aulë is so happy to support Yavanna as they sing the plants and stones of the world into new and stronger forms.
Comments on Out of the Ashes
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.