Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I almost certainly won't be able to express my thoughts any better here but I just... the image of Melian brings to mind the kind of unintentional destruction that follows not understanding the delicate nature of what you're dealing with. Like someone who tries to study a bug only to accidentally squish it or break off one of its legs or wings... that kind of almost childlike "What is this!?" without understanding your strength or another's weakness and just... not understanding why they die.
Yes, exactly. She's not malicious; she just really doesn't understand how they work. And she's terribly lonely and not grasping why she keeps failing to connect with these pretty little things that drift into her realm. She's like a cat playing with a moth, to use more bug imagery. As are all the Ainur, really, at one point or another. I'm glad this provoked you!
You've brought the fey mood of BoLT in here so beautifully, as well as the sense of the Ainur being more human and childlike than they came to be portraits in the later Silm, experimenting with this strange new world experience, and very far from wise!
And I just love the image of Elwë tripping along, oblivious to what's happening outside his thoughts, more like us modern humans and the opposite of how Elves are so often portrayed as being hyperaware, and that being the very thing that saves him!
Very far from wise, indeed! Especially in the beginning, I imagine. Yes, Thingol's focus on himself is his saving grace in this case. Later it will prove otherwise, of course. I'm glad you enjoyed this! I wasn't sure how it would hit, but people seem to be at least intrigued by my poor Monster Melian.
the description of Melian and her being feels like being immersed in a primordial dream in which you can't know if you will awake ever again or remain lost into the depth of it. Elwe really didn't know what he was meddling with, he was lucky and strong enough not to succumb to it! Really well done, very very evocative!
Thank you! She is like a toddler fumbling with something beautiful and breakable and just...crunch, over and over again. Poor sad Melian. Elwe is safe for now, I suppose. I'm glad you enjoyed this. :)
Comments on If Ever She Sang
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.