Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Start to Finish
Choose one of the famous first lines from the list below and use it to start your story. If you are creating a fanwork other than writing, you may use one of the first lines to inspire your fanwork. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I had to laugh at Cemnare standing puzzled in the market after so long - I have a map book of my area from ... oh gosh... 24 years ago! And I feel the same way sometimes like this was not on my map this road is new where is the building that used to be here??
I did so feel for Anduniel that the birds would not stay. Though I cannot say I entirely disagree with Erendis.
Glad that made sense to you! I think it might be difficult for elves who live in Tol Eressea to keep track, even more than those who live in Middle-earth, with things moving at such a different pace.
Thank you for letting me know that you felt for Anduniel!
She doesn't really know what Erendis went through, of course.
Of course I can understand why Erendis had more on her mind than the birds, but I was very happy to read this addition to the tale!
She thought of that day that she had preserved for years in her memory in glowing colours, like a jewelled window, until now. She had been so happy, in her new dress for the occasion with her basket of flowers! And now that memory had cracked. Was it only she herself who had been so uncomplicatedly happy, even then, because she had been too young to know better?
I really like this description, and it's very relatable!
I'm delighted by the idea of Elvish bird friends (being a friend of birds myself!). Trained by Elwing and Melian, even better! It's very sweet that Anduniel gets to see the birds again, or birds of the same kind, along with all the women of her family. And I love that the birds not only sang, but "played with her as a friend," because that's a very special sign of trust. I can just imagine them hopping all over her or hanging from her fingers.
I'm sure I was a little bit influenced by you and your posts here, because although I love watching birds going about their business and listening to them, I have never had one as a pet. Elvish bird friends did seem reasonable to me, though, considering what else we have in canon!
I'm also glad that Anduniel's feelings make sense to you!
I love the point of view here, and the state of Numenor as seen through the girl's eyes. I also love her quick sympathy, even if it is perhaps under-informed and definitely naive. Lovely to see Cemnare!
Glad you enjoyed the point of view and liked seeing Cemnare again!
Yes, Anduniel is meant to be under-informed as well as naive. My impression of the canonical narrative of that celebration in Andunie was that, although we as readers see the problems coming, knowing what we do about how things have gone between Aldarion and Erendis already, people there did not. So the idea here is that a few, like Valandil, were in the know and had concerns, but many people were not aware of the looming crisis until Erendis left for Emerie. (Also, Anduniel, by present lights, is probably somewhere on the ace spectrum, which makes some kinds of things harder for her to understand.)
I have been thinking a lot about this story: Anduniel's feelings about her cousin's marriage, the puzzlement of Cemnare at the, to her, rapid changes to the streets, the sadness of the grey birds only returning for "a while" every coming of age.
That the grey Elven-birds originally given to Erendis and Aldarion were trained by Melian and Elwing is a lovely touch .
the last phrase really stuck with me '... the Kings’ Men gained power in Numenor, and then the birds came no more.' I really felt that, it express perfectly the beginning of the dawnfall of the great kingdom of Numenor...
When you write about Numenor, that is always true, I guess! Even if you fix something for a while, you know that eventually the downfall will come. Unless you are writing a real radical canon divergence, of course.
Yes, perhaps Erendis told herself it was kinder to send them away. But it does read very much like her intentionally cutting herself off from things, for understandable reasons, of course.
Comments on A Place for Such Joy as Theirs
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.