Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Competition
Create a fanwork about competitions using a song from the Eurovision Song Contest as a prompt. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I had to laugh at Cemnare standing puzzled in the market after so long - I have a map book of my area from ... oh gosh... 24 years ago! And I feel the same way sometimes like this was not on my map this road is new where is the building that used to be here??
I did so feel for Anduniel that the birds would not stay. Though I cannot say I entirely disagree with Erendis.
Glad that made sense to you! I think it might be difficult for elves who live in Tol Eressea to keep track, even more than those who live in Middle-earth, with things moving at such a different pace.
Thank you for letting me know that you felt for Anduniel!
She doesn't really know what Erendis went through, of course.
Of course I can understand why Erendis had more on her mind than the birds, but I was very happy to read this addition to the tale!
She thought of that day that she had preserved for years in her memory in glowing colours, like a jewelled window, until now. She had been so happy, in her new dress for the occasion with her basket of flowers! And now that memory had cracked. Was it only she herself who had been so uncomplicatedly happy, even then, because she had been too young to know better?
I really like this description, and it's very relatable!
I'm delighted by the idea of Elvish bird friends (being a friend of birds myself!). Trained by Elwing and Melian, even better! It's very sweet that Anduniel gets to see the birds again, or birds of the same kind, along with all the women of her family. And I love that the birds not only sang, but "played with her as a friend," because that's a very special sign of trust. I can just imagine them hopping all over her or hanging from her fingers.
I'm sure I was a little bit influenced by you and your posts here, because although I love watching birds going about their business and listening to them, I have never had one as a pet. Elvish bird friends did seem reasonable to me, though, considering what else we have in canon!
I'm also glad that Anduniel's feelings make sense to you!
I love the point of view here, and the state of Numenor as seen through the girl's eyes. I also love her quick sympathy, even if it is perhaps under-informed and definitely naive. Lovely to see Cemnare!
Glad you enjoyed the point of view and liked seeing Cemnare again!
Yes, Anduniel is meant to be under-informed as well as naive. My impression of the canonical narrative of that celebration in Andunie was that, although we as readers see the problems coming, knowing what we do about how things have gone between Aldarion and Erendis already, people there did not. So the idea here is that a few, like Valandil, were in the know and had concerns, but many people were not aware of the looming crisis until Erendis left for Emerie. (Also, Anduniel, by present lights, is probably somewhere on the ace spectrum, which makes some kinds of things harder for her to understand.)
I have been thinking a lot about this story: Anduniel's feelings about her cousin's marriage, the puzzlement of Cemnare at the, to her, rapid changes to the streets, the sadness of the grey birds only returning for "a while" every coming of age.
That the grey Elven-birds originally given to Erendis and Aldarion were trained by Melian and Elwing is a lovely touch .
the last phrase really stuck with me '... the Kings’ Men gained power in Numenor, and then the birds came no more.' I really felt that, it express perfectly the beginning of the dawnfall of the great kingdom of Numenor...
When you write about Numenor, that is always true, I guess! Even if you fix something for a while, you know that eventually the downfall will come. Unless you are writing a real radical canon divergence, of course.
Yes, perhaps Erendis told herself it was kinder to send them away. But it does read very much like her intentionally cutting herself off from things, for understandable reasons, of course.
Comments on A Place for Such Joy as Theirs
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.