Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Companies, Clubs, and Cliques
Create a fanwork that explores a group of characters--formal or informal--that Tolkien didn't identify or describe in his own writings. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I invented some of those specific interactions (and enjoyed imagining them!), but I think Tom must have got really round and about to get all those canonical names! And of course we know he has had a long time to meet interesting people!
I love the idea of enigmatic Tom being baffled by something — and found it very funny, if understandable, that he was not a little put out that they didn't stay to chat with him... only to have Goldberry laugh and offer to introduce him!
I'd never read the poem before, so thank you too for this introduction; it has such marvellous imagery that really resonates with magic and beauty, and you've brought it all together into Middle-earth so marvellously.
Lovely!
(Tee-hee, I actually went and looked lintips up because I thought they might be a local common name of some European species of something!)
I'm glad I was able to introduce you to the poem! I only just found out about it myself. (I have an earlier edition of The Adventures of Tom Bombadil that doesn't have the appendix.)
I think Tolkien would be delighted and amused that you thought the lintips were a European species!
This is delightful! I love the snippets of everyone Tom has met and befriended over the Ages, and Tom being baffled that someone doesn't want to hang around and chat with him.
Tom being baffled is already in the poem itself, but I expanded on it a bit!
Interestingly, I noticed that the bit about Tom's list of names according to Elrond has some resemblance to Gandalf's list of names according to himself. Which might not mean that much, really, because Tolkien likes names, of course, but I was reminded how Gandalf compares himself to Tom toward the end...
Comments on Once upon a moon on the brink of June
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.