New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Artwork] A private audience by skywardstruck
After wandering through the forests of Oromë, Maitimo and Makalaurë discover a quiet clearing, stopping to rest. With lyre in hand, the private audience begins— for this song, Makalaurë will only allow his brother to hear.
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] A Thousand Winds that Blow by StarSpray
When uneasy dreams bring him back into Beleriand, Daeron finds a pair of twins who have lost their home, and an enemy who has lost himself. The Shadow's reach is growing ever longer, and if they are to survive, they must do it together.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Naturalist's Guide to Middle-earth
Sneak a peek into notebooks of the scholars and explorers of Middle-earth, with prompts that are images from historical naturalist publication. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Thank you for this. It is very concise, readable, and hits the major troubling points concerning the authorship of L&C. I will be pointing people here in the future when this topic comes up! :D
Something that's always bothered me about L&C--well, there are lots of things that bother me about L&C, but this is definitely a biggie--is this: As you note, that Aelfwine was quite possibly a Christian. Whether sixth- or tenth-century, England was only nominally Christian at that point, and outside the urban centers, people practiced a form of paganism flavored by Christianity. Aelfwine's tone in L&C is one of admiration and respect. He is presenting the Eldar as a culture worth looking up to.
What is his agenda? It is interesting that so much of what he presents of the Eldar--the sexual conservatism, the emphasis on marriage and children, the traditional gender roles--mirror Christian belief. How convenient. So why is he presenting these wonderful, beautiful, and ethereal people to his countrymen? What is he hoping to convince them of, at this point in history where Christianity had only achieved a foothold in some parts of his country? If he'd discovered beliefs or behaviors that went against his own religious views, would he have presented them?
Aelfwine has always struck me as a very untrustworthy narrator for this reason.
Now off to finish my very L&C noncompliant International Day of Femslash story. >:^)))
You are quite welcome! And thank you! I'm honestly blushing that you think it's worth pointing others to. (It was a bit of an adventure writing it. Among other things, I went to three bookstores to find BoLT1 because the library's sole copy was already checked out *and* had a hold on it.)
As for Christianity: my question with Aelfwine is how he meshed his beliefs with the existence of the Elves. Because while I don't know-- or remember-- as much as I should about the beliefs of medieval Catholics and how they would look at the Elves, I do know they would be far more likely to see them as agents of evil than anything else. So LACE written as-is seems to play into a "they're not evil; they're just like us only better and therefore holier" mindset.
Good luck! (I do find it amusing that I posted an anti-LACE essay on IDF.)
An excellent summary of the facts about LaCe, and the problems they create. Will be directing people to this in future.
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Comments on The In-universe Authorship of LACE
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