Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Words of Wit and Wisdom
J.R.R. Tolkien wasn’t just the creator of Middle-earth. He was also a scholar of philology. One of his first jobs was with the Oxford English Dictionary, where he was assigned a welter of words beginning with W. In this month’s challenge, we’re presenting you a bingo card with Prof. Tolkien’s W words we hope will inspire a wealth of wonder, wit, worldbuilding, and general whimsy. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Little (medium) Nerdanel avidly watching her dad to learn is such a mood, as is the idea of her relationship with Indis starting so early on. (Maybe Indis introduced them?)
As far as we know, she doesn't go in for making jewellery later, much, but I'm sure medium Nerde would want to learn *all the things* from her dad!
If Indis did introduce Nerdanel to Feanor, that would be one way of setting up a comedy-of-manners-type romance of initial misunderstandings... I haven't actually got a fixed head-canon about their first meeting and enjoy reading all kinds of scenarios!
oh I LOVE this! That second line especially for two reasons: because when one is deep into the creative process it is so very easy to lose track of everything else, but also the way you worded it makes it feel like Telchar was down there for years just focused so entirely on this piece that whole aspects of the world changed and he didn't even know.
Imagining him blinking into the sun for the first time and being like "what the hell happened up here?! How long was I down there!?!"
This is a piece in which I only gradually figured out what I was writing about as I was composing it.
But yes, I really was going for that feeling.
It occurred to me, some way through, that the reason why we are never told about the original commissioner or first intended owner is not only that Telchar forgot about them while he was working, but perhaps something happened while he was working that meant they did not receive Narsil when it was finished...
Comments on Tengwar Acrostics
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.