Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
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Tolkien Disability Pride 2026
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Yesss this suits him so well! Lying Maglor with his lying tongue...And the siren taking the form of the Silmaril! Excellent emphasis on how sirens' temptations are not all beautiful women and sex appeal. (Also how even now, trying to return home, Maglor can STILL be tempted with the sight of a Silmaril!) I would definitely read more of this AU from you eue
I'll be honest, I forgot anyone thought the sirens were about sex appeal. They're just weird, sad bird-women. Which would also be an Interesting encounter for Maglor...
You've got me thinking about Heather's "Earendil seduced by mermaids" fic and Earendil getting sexed up by some hot mermaids and sharing the experience with his wife via osanwe vs. Maglor's sad weird bird-woman encounter sounds about right for them XD
A very clever take on Maglysseus's out-sirening a siren!
I love the language you used for it, a touch of the epic!
Maybe I should have a closer look, but after the first reading it seemed to me that you might have left it a bit ambiguous, deliberately, whether this is actually the curse and the silmaril re-surfacing or whether there is an animate malicious being, like a mythological siren, trying to delude Maglor?
I felt in any case the outcome was a real victory.
Thank you! You need not take a closer look, you're quite right that it's ambiguous :). Perhaps it would be less so in a longer scene. Though I was surprised to find/be reminded that the Sirens episode in the actual Odyssey is about the same length as this ficlet. (Also that it's narrated by Odysseus in first person, hence the choice here). It's certainly made an imaginative impact for only a handful of lines of the poem.
It seems like little more than a diversion along the way for Odysseus; I think I made it more significant for Maglor and yes, a victory. I'm glad you enjoyed!
Comments on Siren Song
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.